“Ancient Rocket” Found Beneath Pakal’s Tomb

“Ancient Rocket” Found Beneath Pakal’s Tomb

“Ancient Rocket” Found Beneath Pakal’s Tomb

King Pacal’s stone Sarcophagus lid created considerable controversial hypotheses, one of which is Traditional scholars claiming the inscriptions tell of King Pacal on a journey to the underworld, but ancient astronaut theorists claim that the king is represented at the seat of a spacecraft’s controls and have dubbed him the Palenque astronaut.

King K’inich Janaab’ Pakal also known as Pacal was the Maya king of Palenque (today- Mexico).  He was most famous for raising the city of Palenque from relative obscurity to great power, his building projects in the city (especially the Temple of the Inscriptions), and his elaborately carved sarcophagus lid which has been interpreted as an ancient astronaut riding on a rocket ship. Pacal assumed the throne of Palenque at the age of 12, in 615 CE, and ruled successfully until his death at the age of 80.

Pacal was the son of Lady Sak K’uk who reigned as Queen of Palenque from 612-615 CE. She ruled for three years until her son reached maturity which, at that time, was the age of 12.

Pacal almost instantly began building enormous and elaborately worked monuments in order to celebrate both the city’s past and his family’s legitimate claim to rule.

Temple of the Inscriptions:

Temple of the Inscriptions pyramid was constructed in 675 CE and it was built as the tomb of Pacal. The Temple of the Inscriptions is a pyramid with a small building at the top inscribed with the second-longest continuous Mayan text yet uncovered in Mesoamerica.


For a century after Palenque was discovered, the pyramid was thought to be a religious center in the city (as the inscriptions were undecipherable) until the Mexican Archaeologist Alberto Ruiz recognized that the walls of the small temple continued down below the floor.

He discovered that the platform of the floor had drill holes, which had been sealed by stone plugs, and surmised that the Maya had lowered the floor into place with ropes, perhaps, to seal a royal tomb.

Between 1948 and 1952 CE, Ruiz worked with his team, excavating the temple and, finally, discovered the tomb of Pacal the Great. He shone his flashlight down into the tomb.

Whatever he has seen, he writes like this-

“Out of the dim shadows emerged a vision from a fairy tale, a fantastic, ethereal sight from another world. It seemed a huge magic grotto carved out of ice, the walls sparkling and glistening like snow crystals. Delicate festoons of stalactites hung like tassels of a curtain, and the stalagmites on the floor looked like drippings from a great candle.

The impression, in fact, was that of an abandoned chapel. Across the walls marched stucco figures in low relief. Then my eyes sought the floor. This was almost entirely filled with a great carved stone slab, in perfect condition.”

Pacal’s Sarcophagus:

The Sarcophagus’ lid measures 3.6×2 meters (12×7 feet) and shows king Pacal sitting in some kind of spacecraft. He is at an angle like modern-day astronauts upon lift-off. He is manipulating some controls.

He has some type of breathing apparatus or some type of a telescope in front of his face. His feet are on some type of pedal. And you have something that looks like an exhaust with flames.

His upper hand is manipulating some controls. From the lower hand,  he is turning something on. The heel of his left foot is on a kind of pedal and, outside the capsule, you see a linking flame. This is incredible. This is absolute proof of extraterrestrials.

The most famous symbol in this picture is that of the “World Tree”- Shows a man tilting backward at the base of a tree, with a bird high at the top, either falling into or springing out of what appears to be a large urn. Glyphs and symbols run around the edges of the lid, all representing important components of Mayan cosmology.

The World Tree, which the Maya believed had its roots in the underworld, trunk on the earthly plane, and branches high in paradise, and Pacal’s relationship to it in death.

The king is depicted either at the moment of his death falling from the earthly plane down into Xibalba or at the moment of his resurrection from the underworld, climbing up the World Tree toward paradise.

The adornments along the edges represent the sky and other glyphs the sun and moon and, still others, past rulers of Palenque and Pacal’s place among them. The bird at the top of the tree is the Bird of Heaven (also known as The Celestial Bird or Principal Bird Deity) who represents the realm of the gods in this piece, and the `urn’ beneath Pacal is the entrance to Xibalba.

The celestial bird represented the heavens and thus was pictured on the top of the World Tree. Roots of the World Tree extending into the underworld which is not just typical for depictions of the World Tree, it’s pretty much a requirement. In the underworld, we see a picture of the Mayan sun monster which Pacal is riding into the underworld. So Pacal is hitching a ride on the sun into the underworld.

In Mayan art whenever you see a so-called “traveler”- which is a person in transition from one world to the next – there must be something that is making that travel possible.

Sometimes it is a twisted umbilical cord, but almost always it is a serpent, often a double-headed serpent. In other words, being in the mouths of a double-headed serpent was a symbol of transition from one world to the next.

You can see that the so-called smoke is actually the traditional serpent’s beard which appears in almost every depiction of a serpent in Mayan art.