AFRICA, EGYPT, WORLD

A Remarkable Discovery from a Gaza Shipwreck: Olive Pits from 1100 Years Ago

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A Remarkable Discovery from a Gaza Shipwreck: Olive Pits from 1100 Years Ago

A Remarkable Discovery from a Gaza Shipwreck: Olive Pits from 1100 Years Ago

The recent underwater excavations off the coast of Türkiye have unveiled an extraordinary find that has captivated scientists: olive pits from a shipwreck that sank 1100 years ago. This vessel, which set sail from the Gaza coast of Palestine, was caught in a storm near Antalya and ultimately met its fate beneath the waves.

Assoc. Prof. Hakan Öniz and his team found olive pits that had never been encountered before in underwater excavations off the coast of Türkiye.

As part of the ‘Heritage to the Future Project’ initiated by the Ministry of Culture and Tourism, Assoc. Prof. Dr. Hakan Öniz and his team began their underwater excavations at a depth of approximately 45-50 meters near Besmi Island, off the coast of Kaş district in Antalya in 2024.

Assoc. Prof. Dr. Öniz, who heads the Department of Conservation and Repair of Cultural Assets at Akdeniz University’s Faculty of Fine Arts, explained that their work is part of a broader initiative to establish an Underwater Archaeology Museum in Kemer district.

This project aims not only to conduct scientific research but also to exhibit the artifacts recovered from these underwater sites. He noted that their excavation efforts can span up to 12 months, and they have recently focused on the wreck at Besmi Island, which, while known and accessible to tourists, is situated at a depth that limits diving access.

The shipwreck, dating back to the 9th-10th century A.D., is particularly intriguing due to its cargo. Assoc. Prof. Dr. Öniz revealed that they have identified the wreck as a Philistine ship, loaded with olive oil from Gaza.

He remarked, “1100 years ago, this region was renowned for its olive production. While Gaza often evokes negative associations today, we hope for a brighter future.

This ship, transporting olive oil in amphorae, encountered a storm off the coast of Kaş, struck a small rock or island, and sank.

The wreck is fascinating not only because of its depth but also due to its cargo. In ancient times, ships primarily carried olive oil and wine, but what we discovered from one of the amphorae was truly remarkable.”

Assoc. Prof. Dr. Öniz emphasized that amphorae from different regions had distinct characteristics, allowing them to ascertain that this shipwreck originated from Palestine based on the amphora typology found within.

A First for Turkey: Unique Finds from the Wreck

The team was particularly excited by the discoveries made within one of the amphorae. “These finds, although known in literature, have never been encountered in amphorae in Turkey before,” he stated.

Using underwater robots, they successfully brought the amphorae to the surface, and over the past year, they have been conducting deep-water excavations. Among the finds were olive pits, a significant discovery that adds to the historical narrative.

Assoc. Prof. Dr. Öniz highlighted the importance of olives as a staple food for sailors in antiquity. “For about 5,000 years, olives have been a vital source of sustenance for Mediterranean sailors since the Bronze Age,” he explained.

He noted that sailors required food that could withstand long voyages without spoiling, and olives stored in amphorae could remain edible for months, even when submerged in seawater. Additionally, ships often carried live animals and wheat, which could be processed into flour and baked into bread onboard.

He underscored that most underwater archaeological studies in Turkey are conducted by Akdeniz University, and the olive pits found in this wreck represent a first for the Turkish coast. Assoc. Prof. Dr. Öniz concluded by stating that these remarkable finds will be displayed at the Mediterranean Water Archaeology Museum in Kemer, where the Ministry of Culture and Tourism is preparing to lay the foundation.

EUROPE, GREECE, WORLD

Archaeologists Uncover Asini’s Hidden Ancient Port Beneath the Waves of Greece

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Archaeologists Uncover Asini’s Hidden Ancient Port Beneath the Waves of Greece

Archaeologists Uncover Asini’s Hidden Ancient Port Beneath the Waves of Greece

An international team of underwater archaeologists has made a groundbreaking discovery at the submerged site of Asini, near  Tolo in Argolis, Greece, unearthing significant remnants of an ancient port infrastructure that promises to reshape our understanding of Mediterranean maritime history.

This research is part of a broader underwater archaeological initiative that began in 2022, a collaborative effort involving the Ephorate of Underwater Antiquities of Greece, the Swedish Institute at Athens, Stockholm University, the University of Gothenburg, and the Nordic Maritime Group.

Under the leadership of Greek archaeologist Dr. Panagiota Galiatsatou, alongside Swedish experts Prof. Ann-Louise Schallin and Dr. Niklas Eriksson, the team meticulously examined a key area of the submerged harbor.

The 2024 fieldwork concentrated on the northwestern edge of a submerged artificial platform, an area previously identified as retaining much of its original form. Utilizing high-resolution photogrammetry, the archaeologists documented a 16-square-meter section in detail, uncovering significant architectural remains indicative of the ancient port’s infrastructure.

The findings included numerous stones and fragments of construction materials, suggesting a gradual collapse of the structure over time.

Among the most intriguing discoveries were ceramic fragments, including ostraca from amphorae embedded within the stone structures and a broken vessel located in an area designated as “Sector 4A.”

These artifacts are expected to provide critical insights into the dating of the submerged port, potentially linking them to the period when the platform was operational or to the time following its abandonment.

The departure point consisted of an anchored boat near the excavation site in Asini. Credit: Ministry of Culture of Greece

Asini boasts a continuous occupation history dating back to prehistoric times, complicating efforts to pinpoint the exact construction date of the artificial port. However, the new findings bolster the hypothesis that this infrastructure was vital for maritime trade throughout various historical epochs.

Previous excavations in 2021 and 2022 had already indicated the extensive size of the port, revealing that the main structure consists of a large artificial platform in shallow waters, with indications of rooms or buildings that suggest a multifunctional use beyond mere trade.

Looking ahead, the archaeological team plans to conduct further excavations on the upper section of the artificial platform. This next phase will involve careful sediment removal, both by hand and through controlled dredging, to uncover additional structural elements.

All findings will be documented in situ using advanced 3D imaging techniques, allowing for high-precision models that facilitate further analysis without disturbing the original context of the artifacts.

Ceramic fragments, including amphora pieces embedded in stone structures. Credit: Ministry of Culture of Greece

The results from the 2024 excavation campaign are set to be published in the scientific journal Opuscula, edited by the Swedish Institutes of Athens and Rome, along with other specialized publications focused on archaeology and maritime studies.

The discoveries at Asini are poised to provide essential clues about ancient maritime trade and the construction of port facilities, enhancing our understanding of how ancient civilizations interacted with their maritime environments.

As the research continues, the site of Asini may yield further revelations about the complexities of ancient trade networks and the architectural ingenuity of past societies, underscoring the enduring significance of this submerged port in the Mediterranean’s rich historical tapestry.

Cover Image Credit: Fieldwork on the seabed at the submerged port in the ancient Greek city of Asini. Credit: Ministry of Culture of Greece

ASIA, WORLD

Burial of Ascetic Monk in Chains Reveals Surprising Identity: A Woman in Byzantine Jerusalem

Burial of Ascetic Monk in Chains Reveals Surprising Identity: A Woman in Byzantine Jerusalem

Burial of Ascetic Monk in Chains Reveals Surprising Identity: A Woman in Byzantine Jerusalem

A recent archaeological discovery near Jerusalem has challenged long-held beliefs about ascetic practices in the Byzantine era, revealing the remains of a woman in a burial typically associated with male ascetics, thus prompting a reevaluation of women’s roles in extreme religious traditions of the 5th-century AD.

The remains initially believed to belong to an ascetic monk, bound in “chains,” were subjected to scientific analysis by researchers who examined the proteins in the tooth enamel.

Their findings suggest that the tomb, dating to the 5th century AD, likely contained a woman who engaged in self-torment through the use of iron chains.

This significant discovery, published in the Journal of Archaeological Science: Reports, raises important questions regarding the role of women in extreme ascetic practices during the Byzantine era.

In East Jerusalem, just a few kilometers from the Old City, archaeologists have made a significant discovery at the site of Khirbat el-Masani, where the remains of a Byzantine monastery dating from 350 to 650 CE have been uncovered.

Recent excavations revealed several burials believed to date back to the 5th century CE. Among these, researchers found the poorly preserved remains of a man buried in chains—heavy iron objects typically worn by ascetic monks to restrain the flesh.

Notably, instead of a traditional burial, scientists discovered numerous large metal rings in place of the man’s neck, arms, and legs, with diameters reaching approximately ten centimeters and a total weight of several dozen kilograms.

The skeleton of the ascetic monk has survived in a highly fragmentary state, with the few preserved bones crumbling upon contact. Despite this, Paula Kotli from the Weizmann Institute of Science, along with her Israeli colleagues, conducted a thorough study of the remains.

Their analysis of three preserved cervical vertebrae and one tooth allowed them to determine that the burial belonged to an adult, likely aged between 30 and 60 years at the time of death.

The area where the grave was found.

To determine the sex of the individual, scientists employed peptide analysis on the enamel of the only remaining tooth, specifically the second premolar of the upper jaw.

Their findings revealed an absence of peptides associated with the AMELY protein, which is encoded by a gene located on the Y chromosome. In contrast, they identified a significant presence of peptides corresponding to the AMELX protein, linked to a gene on the X chromosome.

This compelling evidence led researchers to conclude that the tomb from the late antique period likely contained the remains of a woman, challenging previous assumptions about the burial’s association with male asceticism.

This discovery not only sheds light on the individual’s identity but also raises important questions about the roles of women in ascetic practices during the Byzantine era, suggesting that women may have engaged in similar extreme religious behaviors as their male counterparts.

According to the researchers, historical records indicate that women in the Roman Empire began practicing asceticism as early as the 4th century AD. Notable figures, such as Melania the Elder, a Christian saint from a wealthy noble family, and her granddaughter, Melania the Roman, exemplified this trend by embracing self-restraint to achieve spiritual goals.

However, the burial under investigation in the scientists’ new article is particularly significant, as it represents the first archaeological evidence that women, alongside men, engaged in self-torture through the use of heavy chains in Byzantine society during that period.

This finding not only highlights the presence of female ascetics but also challenges traditional narratives surrounding ascetic practices, emphasizing the active role women played in these extreme religious behaviors.

Optical microscope images of the archaeological upper premolar tooth.

The monastery where the tomb was discovered was strategically positioned along the Christian pilgrimage route to Jerusalem, a city that blossomed into a major religious hub during the Byzantine period, drawing worshipers from all corners of the Roman Empire.

These monasteries were not merely spiritual sanctuaries; they also provided refuge for weary pilgrims seeking solace and guidance. In this vibrant context, the presence of a female ascetic challenges conventional perceptions and suggests that women may have played a far more active and rigorous role in these communities than previously acknowledged.

DENMARK, EUROPE, WORLD

Woodhenge Found in Denmark: A Link Between Denmark and Britain’s Neolithic Past

Woodhenge Found in Denmark: A Link Between Denmark and Britain’s Neolithic Past

Woodhenge Found in Denmark: A Link Between Denmark and Britain’s Neolithic Past

In a stunning revelation, archaeologists have unearthed a remarkable structure dubbed “woodhenge” in Denmark, a discovery that not only illuminates the ancient practices of Neolithic societies but also invites us to reconsider the interconnectedness of prehistoric cultures across Europe.

In a remarkable archaeological discovery, a team led by Sidsel Wåhlin at Vesthimmerland Museum has unearthed a structure dubbed “woodhenge” in Aars, a town in northwestern Denmark.

This ancient site, consisting of 45 wooden pieces arranged in a circle with a diameter of approximately 100 feet, is believed to date back to between 2600 and 1600 BC.

The find was made during construction work for a housing estate, revealing a significant connection to the Neolithic era.

Wåhlin described the discovery as “extraordinary” and a “once-in-a-lifetime” find, emphasizing its implications for understanding the cultural ties between Denmark and the British henge world.

The structure closely resembles the henges found in Britain and Ireland, which are characterized by their circular arrangements of stones or timber posts. This resemblance raises intriguing questions about the interactions and shared practices of Neolithic peoples across Europe.

Archaeologists are currently investigating the possibility of an inner circle at the Aars site, akin to the famous Stonehenge in Wiltshire, England, which is thought to have been constructed between 3100 BC and 1600 BC.

Wåhlin noted that these structures likely served as ritual centers, connected to sun worship and agricultural practices of the time.

The planning and construction of such monuments suggest a sophisticated understanding of their significance within the social and spiritual frameworks of the communities that built them.

The excavation team at the North Jutland timber circle site, with overlayed images showing where the posts would have been.

The discovery of the wooden circle in Aars is particularly noteworthy as it is the first of its kind that can be thoroughly investigated. Previous finds of timber circles on the Danish island of Bornholm have hinted at similar practices, but the Aars site offers a unique opportunity to explore the connections between early farming communities in Denmark and their counterparts in Britain.

In addition to the wooden circle, archaeologists have also uncovered an early Bronze Age settlement at the site, which includes a chieftain’s grave and a bronze sword.

This context enriches the narrative of the region’s history, suggesting a complex interplay of cultural influences. As the team continues to excavate, they are searching for “ritual deposits” such as flint arrowheads and daggers, which could provide further insights into the rituals and social structures of the late Stone Age and early Bronze Age.

Wåhlin expressed hope that ongoing research will reveal more about the connections between the Aars site and other Neolithic peoples, including those who constructed Stonehenge.

The influence of various regions is already evident in the pottery and burial practices discovered at the site, hinting at a rich tapestry of cultural exchange in prehistoric Europe.

As the investigation unfolds, the “woodhenge” discovery not only sheds light on Denmark’s ancient past but also invites us to reconsider the broader narrative of Neolithic societies and their enduring legacies.

BRAZIL, SOUTH AMERICA, WORLD

9,000-Year-Old Rock Art Suggests Early Humans Interacted with Dinosaur Footprints

9,000-Year-Old Rock Art Suggests Early Humans Interacted with Dinosaur Footprints

9,000-Year-Old Rock Art Suggests Early Humans Interacted with Dinosaur Footprints

In Brazil, researchers have made an extraordinary discovery of ancient rock art dating back over 9,000 years, found alongside dinosaur footprints from the Cretaceous Period, approximately 66 million years ago. This significant find took place in Serrote do Letreiro, located in the Sousa Basin.

Led by researchers Leonardo P. Troiano, Heloísa B. dos Santos, Tito Aureliano, and Aline M. Ghilardi, the study indicates that prehistoric hunter-gatherers in Brazil crafted enigmatic rock  art designs, referred to as petroglyphs, alongside dinosaur footprints. These discoveries provide important insights into the relationship between paleontology and archaeology, especially at the Serrote site.

The study conducted by Leonardo P. Troiano and his team has uncovered important insights into ancient rock art in Brazil.

Although the petroglyphs were initially discovered in 1975, it is only recently that researchers have found these carvings situated near substantial dinosaur footprints, aided by the cutting-edge application of drone technology.

These footprints are thought to be from dinosaurs that roamed during the Cretaceous Period, which concluded approximately 66 million years ago.

The researchers propose that prehistoric humans intentionally placed these carvings next to the dinosaur prints, with some petroglyphs located just 2 to 4 inches away and potentially depicting the footprints themselves. This suggests that ancient people were not only aware of the footprints but also interacted with them meaningfully.

Credit: Scientific Reports (Sci Rep) ISSN 2045-2322 (online)

Leonardo Troiano, the study’s lead author and an archaeologist from Brazil’s National Institute of Historic and Artistic Heritage, emphasized that the individuals who created the petroglyphs were likely drawn to the footprints, selecting the location specifically because of their presence.

Troiano noted that these ancient humans found the footprints significant, which aligns with the location of Serrote do Letreiro, or “Signpost Hill,” situated near the Valley of the Dinosaurs, a conservation area famous for its numerous fossilized dinosaur footprints.

In 2023, Troiano and his team conducted research with a group of middle-school students who helped survey the site. The students not only learned about the intersection of paleontology and archaeology but also assisted in photographing the specimens.

The team identified tracks from various dinosaur types, including meat-eating theropods, long-necked sauropods, and two-legged ornithopods, such as iguanodontian dinosaurs.

The petroglyphs discovered primarily consist of circles filled with lines and other geometric shapes, attributed to humans who lived in the region between 9,400 and 2,620 years ago.

Troiano described these ancient people as small, seminomadic groups of hunters and gatherers who utilized stone tools. The rock carvings were created using two techniques: perforation and scraping. Perforation involves using a stone hammer to create depressions, while scraping entails rubbing a stone against the surface to form engravings.

The petroglyphs offer crucial evidence about the historical population and shed light on the rituals and practices of that time. “I think rock art creation was embedded in some sort of ritual context: people gathering and creating something, perhaps utilizing some psychotropics,” said Troiano, adding that these people were interested in “what the footprints represent.”

Credit: Scientific Reports (Sci Rep) ISSN 2045-2322 (online)

Supporting Troiano’s hypothesis, Jan Simek, a distinguished professor of anthropology at the University of Tennessee, remarked that the study presents a compelling example of how ancient people observed and integrated fossils into their spiritual experiences and interpretations.

He noted that this case exemplifies the human tendency to connect the spiritual realm with unexplained phenomena in the surrounding world.

EUROPE, ROMANIA, WORLD

The Colchester Vase: New Analyses Uncover Evidence of Gladiatorial Combat in Roman Britannia

The Colchester Vase: New Analyses Uncover Evidence of Gladiatorial Combat in Roman Britannia

The Colchester Vase: New Analyses Uncover Evidence of Gladiatorial Combat in Roman Britannia

The Colchester Vase, dating back to A.D. 160–200, is not just a ceramic artifact; it is considered a unique graphic and epigraphic testimony to the existence of gladiatorial combats in the Roman city of  Camulodunum, now known as Colchester, illuminating the cultural and social dynamics of these games.

A new study led by Glynn J.C. Davis and John Pearce, in collaboration with experts in archaeology, epigraphy, and isotopic analysis, reveals that the Colchester Vase is more than just a decorative artifact; it is suggested to be a commissioned piece that documents a real combat event that took place in the city.

Recent discoveries surrounding the Colchester Vase have revealed its significance as a vital record of gladiatorial games in Roman Britain, showcasing the intricate connections between local culture, military influence, and the performers who captivated audiences of the time.

The vase, crafted in the kilns west of Colchester, features intricate decorations and inscriptions that name individual arena performers, suggesting it was a commissioned piece celebrating a local event.

Among the names that have intrigued researchers is Memnon, identified as a secutor—a type of gladiator known for battling against retiarii, who wielded nets and tridents. The name Memnon, derived from Greek mythology, evokes the legendary Ethiopian king associated with the Trojan War, hinting that it may have served as a stage name, a common practice among gladiators to enhance their personas in the arena.

The inscription reveals that Memnon participated in at least nine combats, suggesting he had a notable career within the competitive world of Roman entertainment, where success was often measured by the number of fights fought and victories achieved.

The inscription below the rim of the Colchester Vase.

Another noteworthy name in the inscription is Valentinus, linked to the Legio XXX Ulpia Victrix, which was stationed in Xanten, modern-day Germany.

This connection raises intriguing questions about the relationship between gladiators and the Roman military, a topic that has sparked considerable debate among historians. Some scholars propose that certain legions may have maintained their own groups of gladiators for entertainment purposes.

The absence of recorded combats for Valentinus in the inscription may indicate that he was a tiro, or novice gladiator, embarking on his journey in the arena, where the path to fame and glory often began with a single fight.

Recent research has challenged previous assumptions about the vase’s inscription, revealing that it was likely cut before the vessel was fired, rather than afterward as previously believed.

This finding is supported by the quality of the lettering and the absence of ragged edges, suggesting a skilled artisan was involved in its creation.

The Colchester Vase was ultimately used as a cremation urn, containing the remains of a non-local male over 40 years old. While it is unlikely that he was one of the performers, his connection to the event adds another layer of significance to the artifact.

The Colchester Vase contributes to a growing body of evidence that highlights the existence of Roman spectacles in the city. Among these findings are fragments of wall paintings featuring gladiators, molds for creating relief figures, and a knife with a handle designed in the likeness of a murmillo, another class of gladiator.

While no amphitheater has yet been discovered in Colchester, the existence of a Roman circus—the only one documented in Britannia—bolsters the idea that the city served as a hub for public entertainment, where chariot races and gladiatorial contests were integral to the local culture.

The Colchester Vase inscription.

Furthermore, the commercial and military ties between Colchester and the Lower Rhine region likely played a crucial role in the movement of gladiators and animals for these events. Epigraphic evidence from the Germanic territories indicates the capture of bears for venationes, or wild animal combats, which may provide context for the hunting scene illustrated on the Colchester Vase.

The Colchester Vase was discovered in 1853 during excavations in the western cemetery area of Colchester, England. It was found as part of a burial group consisting of four vessels.

The vase’s intricate decorations and inscriptions quickly attracted attention, leading to its recognition as a significant artifact that provides valuable insights into the cultural practices of Roman Britain, particularly regarding gladiatorial games and public entertainment.

This discovery is part of Colchester Museums’ ongoing “Decoding the Dead” project, which aims to explore the cultural and social dynamics of gladiatorial games in the north-west provinces of the Roman Empire.

EUROPE, ITALY, WORLD

A 13th-Century Italian Fresco Reveals the Medieval Church’s Use of Islamic Altar Tents

A 13th-Century Italian Fresco Reveals the Medieval Church’s Use of Islamic Altar Tents

A 13th-Century Italian Fresco Reveals the Medieval Church’s Use of Islamic Altar Tents

A recently rediscovered 13th-century fresco in Ferrara, Italy, offers significant insights into the medieval practice of utilizing Islamic tents to conceal high altars in Christian churches. This fresco, believed to be the only surviving representation of its kind, provides valuable evidence of a lesser-known Christian tradition.

The fresco, which is only partially visible, was identified by Dr. Federica Gigante, a historian from Cambridge University. It is thought to depict a real tent, now lost, that the artist may have encountered within the same church.

The original tent, characterized by its vibrant colors and adorned with jewels, could have been a diplomatic gift from a Muslim leader or a trophy acquired from a battlefield.

Dr. Gigante’s research, published in The Burlington Magazine, posits that a prominent figure, such as Pope Innocent IV—who donated several valuable textiles to the Benedictine convent church of S. Antonio in Polesine, Ferrara—may have been responsible for providing such a tent.

“Initially, it seemed implausible and overly exciting to consider that this could be an Islamic tent,” Dr. Gigante remarked. “I dismissed the idea at first but returned to it years later with more experience and a bolder research approach. It is unlikely that we will find another image like this; my belief is that it is quite unique.”

The fresco serves as crucial evidence of the integration of Islamic elements into key Christian practices, including the celebration of Mass. Dr. Gigante noted, “Islamic textiles were associated with the Holy Land, from which pilgrims and crusaders brought back the most precious examples.

The existence of artistic continuity from the time of Christ justified their use in a Christian context. Medieval Christians admired Islamic art, often without fully recognizing its origins.”

While it is well-documented that Islamic textiles were present in late medieval European churches, surviving fragments are typically found wrapped around relics or within the burials of notable individuals.

Some traces of Islamic textiles can be seen on church walls in Italy and in late medieval Italian paintings. However, depictions of Islamic tents from the Western Islamic world, such as those from Spain, are exceedingly rare, making this fresco potentially the only detailed, full-size representation identified to date.

Dr Federica Gigante examining the fresco in the Church of S. Antonio in Polesine, Ferrara, Italy.

Painted between the late 13th and early 14th centuries, the fresco illustrates a canopy over the high altar, transforming the apse into a tent with blue and gold drapery enveloping three walls, topped by a double-tiered, bejeweled conical canopy typical of Islamic design. “The artist invested considerable effort into rendering the textile lifelike,” Dr. Gigante stated.

The background features a blue sky dotted with stars and birds, creating the illusion of an outdoor tent. In the early 15th century, portions of the fresco were painted over with scenes depicting the lives of the Virgin Mary and Jesus Christ, which has drawn the attention of art historians who have overlooked the earlier sections.

Dr. Gigante first identified the depiction of Islamic textiles during a visit to the church a decade ago, but it required extensive research to confirm that the fresco represents an Islamic tent.

Dr. Gigante argues that the fresco depicts a real tent that may have been physically present in the convent church during the 13th century, serving as a direct reference for the artist.

It is already established that medieval churches employed precious textile hangings to obscure the altar, either permanently or during specific liturgical periods. Upon examining the fresco, Dr. Gigante observed that it illustrates the corner of a veil, painted as if drawn in front of the altar. She posits that the actual tent may have been adapted to function as a ‘tetravela’ or altar-curtains.

“If the real tent was only erected in the church on certain occasions, the fresco could have served as a visual reminder of its splendor when it was not present,” Dr. Gigante explained. “The interplay between painted and actual textiles is evident throughout Europe and the Islamic world during the late medieval period.”

Dr. Gigante’s study highlights the walls of the apse, which are adorned with nails and brackets that could have supported a hanging textile. She points to the fresco’s “extraordinarily precise details” as further evidence of its depiction of a real tent.

The fabric illustrated features blue eight-pointed star motifs within roundels, originally highlighted in gold leaf, mirroring the golden fabrics used in precious Islamic tents. Additionally, a band with pseudo-Arabic inscriptions runs along the top and bottom borders, while white contours emphasize contrasting colors, reflecting a trend in 13th-century Andalusi silk design.

The structure, design, and color scheme of the tent closely resemble the few surviving depictions of Andalusi tents, including those found in the 13th-century manuscript, the Cantigas de Santa Maria, as well as one of the rare surviving Andalusi tent fragments, the ‘Fermo chasuble,’ attributed to St. Thomas Becket, Archbishop of Canterbury.

NORTH AMERICA, U.S.A, WORLD

Archaeologists Discover a New Pyramid from the Caral Culture, Known as South America’s Oldest Civilization

Archaeologists Discover a New Pyramid from the Caral Culture, Known as South America’s Oldest Civilization

Archaeologists Discover a New Pyramid from the Caral Culture, Known as South America’s Oldest Civilization

The team from the Caral Archaeological Zone has discovered a new pyramidal structure in the “Sector F” of the Chupacigarro archaeological site, located one kilometer west of the Sacred City of Caral-Supe, a World Heritage site, in the Supe Valley, Barranca province, Lima Region, Peru.

The discovery was made by a multidisciplinary team from the Caral Archaeological Zone, led by Dr. Ruth Shady. Originally covered with huarango trees and bushes, the structure later revealed stone walls with at least three superimposed platforms and large ‘huancas’ (vertical stones) marking the corners of the building.

The structure, which is quadrangular in shape, features a central staircase that allows access to its summit. The “huancas” served not only a structural function but also a symbolic one, highlighting the ceremonial importance of the site.

The site contains 12 public or ceremonial structures distributed across hills, presided over by a Main Building with a sunken circular plaza. Additionally, residential areas have been identified on the periphery, suggesting a small urban center of 38.59 hectares with both public and private functions.

Chupacigarro is situated adjacent to a small water ravine, in proximity to the Sacred City of Caral Supe. The recently uncovered pyramid is an integral component of a broader network of architectural structures identified across multiple archaeological sites within the Supe Valley region.

In the walls, archaeologists discovered large rocks that had been placed vertically, which they have named “huancas”.

The twelve identified structures, classified as either public or ceremonial edifices, are strategically dispersed throughout the landscape, positioned atop the small hills that characterize the ravine and encircling a central communal space. These constructions were erected by the Caral civilization, which thrived in ancient Peru from approximately 3000 to 1800 B.C.

The Caral civilization is one of the oldest and most advanced civilizations in ancient Peru, existing between approximately 3000 and 1800 B.C. in the Supe Valley. This civilization made significant advancements in agriculture, architecture, and social organization.

Caral is known for its large pyramids, public buildings, and complex social structures. Additionally, while Caral did not use a written language, it possessed a complex social hierarchy and trade network. These characteristics contributed to Caral’s prominent status among Andean civilizations.

The architectural structures at the Chupacigarro site exhibit a diverse range of sizes, orientations, and formal characteristics, suggesting a correlation with their functional purposes.

Notably, residential architecture has been identified along the periphery of the site. A prominent building oversees a series of smaller structures, featuring a sunken circular plaza that is characteristic of this historical period.

These significant findings have prompted experts to assert the existence of a small urban settlement that once thrived in the area, which spans nearly 38.59 hectares.

Under the leadership of Dr. Ruth Shady, the research team responsible for the Chupacigarro discovery is now set to undertake a comprehensive mapping of the entire site to gain a clearer understanding of its overall dimensions and significance.

Archaeologists excavating the Chupacigarro archaeological site discovered a previously unknown quadrangular pyramidal structure, designated as Sector F, covering an area of 38.59 hectares.

In addition to the architectural findings at Chupacigarro, one of the most remarkable discoveries is a geoglyph depicting a profile head in the Sechín style, which can only be observed from a specific vantage point.

This significant finding underscores the ritual and symbolic importance of Chupacigarro, suggesting a connection to the Sacred City of Caral and the coastal populations of the Huaura Valley.

The geoglyph indicates that the site may have served as a focal point for cultural and ceremonial activities, facilitating access to both marine and agricultural resources that were vital to the communities in the region.

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