Broken toilet leads to the discovery of 2,000 years of history beneath the Italian restaurant

A blocked toilet in an Italian building has changed the life of its owner who was planning to open a trattoria on the site. Lucian Faggiano was trying to find the offending sewage pipe at the property in Puglia, Italy when he made a fascinating discovery.

After digging a trench beneath the building he found a network of underground rooms and corridors that housed Roman devotional bottles, ancient vases, hidden frescoes and what are thought to be etchings from the Knights Templar.

Lucian Faggiano bought the building in Lecce, Puglia in the south of Italy and had planned to turn it into a trattoria – but renovations were put on hold when he discovered a toilet on the site was blocked. 

And while attempting to fix the toilet he dug into a Messapian tomb built 2,000 years ago, a Roman granary, a Franciscan chapel, and even etchings thought to be made by the Knights Templar.

In a bid to stop the sewage backing up, Mr Faggiano, 60, and his two sons dug a trench and instead of isolating the offending pipe found underground corridors and rooms beneath the property on 56 Via Ascanio Grandi. 

The search for the pipe began at the turn of the millennium.  

Lecce, at the heel of Italy’s boot’, was once a crossroads in the Mediterranean and an important trading post for the Romans. But the first layers of the city date to the time of Homer, according to local historian Mario De Marco. It is not unusual for religious relics to turn up in fields or in the middle of the city itself, which has a mixture of old architecture

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For example, a century ago, a Roman amphitheatre was recently found beneath a marble column bearing the statue of Lecce’s patron saint, Orontius in the main square and recently a Roman temple was found under a car park.

‘Whenever you dig a hole, centuries of history come out,’ said Severo Martini, a member of the City Council.  Mr Faggiano asked his sons to help fix the problem with the plumbing so he could accelerate the opening of his restaurant, in a building that looked like it was modernised.

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But when they dug down they hit a floor of medieval stone, beneath which was a Messapian tomb, built by people who lived in the area before the birth of Jesus. Legend has it the city was founded by the Messapii, who are said to have been Cretans in Greek records, but then the settlement was called Sybar.

Upon further investigation, the family team also discovered a Roman room that was used to store grain and a basement of a Franciscan convent where nuns were thought to have once prepared the bodies of the dead.

Afraid of costs and the delay in opening the restaurant, Mr Faggiano initially kept his amateur archaeology a secret from his wife, in part perhaps because he was lowering his youngest son, Davide, 12 though small gaps in the floor to aid his work.

But his wife, Anna Maria Sanò suspected the work was more complex than it appeared thanks to the number of dirty clothes she was washing, and because of dirt and debris is taken away. 

Investigators shut down the site, warning Mr Faggiano he was conducting an unofficial archaeological dig.  After a year, work continued but had to be overseen by heritage officials who witnessed the emergence of Roman devotional bottles, ancient vases and a ring with Christian symbols as well as hidden frescoes and medieval pieces.

Retired cultural heritage official, Giovanni Giangreco, who was involved with the excavation, said: ‘The Faggiano house has layers that are representative of almost all of the city’s history, from the Messapians to the Romans, from the medieval to the Byzantine time.’

Despite bearing the financial load of the dig, the family became fascinated about the history beneath their building and made ends meet by renting rooms in it. Mr Faggiano admits to becoming obsessed with the project but still wanted to open his restaurant.

He said: ‘At one point, I couldn’t take it anymore I bought cinder blocks and was going to cover it up and pretend it had never happened.’

Eight years after it was meant to open as a restaurant, the incredible building has been turned into Museum Faggiano and a number of staircases allow visitors to travel down through time to visit the ancient underground chambers.

However, Mr Faggiano hasn’t given up on his culinary dream and is planning on opening a restaurant at a less complex location – even though he finally found the troublesome sewage pipe.

Lasers removed stains on a fresco in Pompeii’s House of the Ceii

One of Pompeii’s most action-packed frescoes has regained some of its colours after lasers removed centuries-old stains and restorers touched up worn paint.

Featuring a lion chasing a bull, wild boar bearing down on deer and a leopard pouncing on sheep, the large fresco adorned the garden wall of the Pompeiian magistrate Lucius Ceius Secundus. Vegetation runs along the foot of the fresco, while the owner’s passion for Egypt is revealed by images on a sidewall of sacred Egyptian buildings and African pygmies hunting hippopotamuses and crocodiles.

The artwork — of hunting scenes — was painted in the so-called ‘Third’ or ‘Ornate’ Pompeii style, which was popular around 20–10 BC and featured vibrant colours.

In 79 AD, however, the house and the rest of the Pompeii was submerged beneath pyroclastic flows of searing gas and volcanic matter from the eruption of Vesuvius. Poor maintenance since the house was dug up in 1913–14 saw the hunting fresco and others deteriorate, particularly at the bottom, which is more vulnerable to humidity.

The main section of the fresco depicts a lion pursuing a bull, a leopard pouncing on sheep and a wild boar charging towards some deer. Frescos commonly adorned the perimeter walls of Pompeiian gardens and were intended to evoke an atmosphere — often one of tranquillity — while also creating the illusion that the area was larger than in reality, much as we use mirrors today.

‘What makes this fresco so special is that it is complete — something which is rare for such a large fresco at Pompeii,’ site director Massimo Osanna told The Times.

Alongside the haunting imagery of the now restored fresco, with its wild animals, the sidewalls of the garden featured Egyptian-themed landscapes, with beasts of the Nile delta-like crocodiles and hippopotamuses hunted by African pygmies and a ship shown transporting amphorae.

Experts believe the owner of the townhouse, or ‘domus’, had a connection or fascination with Egypt and potentially also the cult of Isis, that of the wife of the Egyptian god of the afterlife, which was popular in Pompeii in its final years.

In fact, the residence has been associated with one Lucius Ceius Secundus, a magistrate — based on an electoral inscription found on the building’s exterior — and it is after him that it takes its name, ‘Casa dei Ceii’.

The property, which stood for some two centuries before the eruption, is one of the rare examples of a Domus in the somewhat severe style of the late Samnite period of the second century BC.

The house’s front façade sports an imitation ‘opus quadratum’ (cut stone block) design in white stucco and a high entranceway set between two rectangular pilasters capped with cube-shaped capitals. 

Casa dei Ceii’s footprint covered some 3,100 square feet (288 sq. m) and contained an unusual tetrastyle (four-pillared) atrium and a rainwater-collecting impluvium basin in a Grecian style, one rare for Pompeii, lined with cut amphora fragments.

Other rooms found inside the property included a triclinium, where lunch would have been taken, two storage rooms, a tablinum which the master of the house would have used as an office and reception room and a kitchen with a latrine.

An upper floor, which partially collapsed during the eruption, would have been used by the household servants and appeared to be in the process of being renovated or constructed at the time of the catastrophe.

The garden on whose back wall was adorned by the hunting fresco, meanwhile, featured a canal and two fountains, one of a nymph and the other a sphynx.

During the excavation of the townhouse, archaeologists found the skeleton of a turtle preserved in the garden. The recent restoration work saw the paint film of much of the fresco — particularly a section featuring botanical decoration — carefully cleaned with a special laser.

Experts also carefully retouched the paint in areas of the fresco that had been abraded over time,  protective measures have also been taken to help prevent the future infiltration of rainwater that could damage the artwork.

Venetian Blue Beads Found in Alaska Predate Arrival of Columbus

Tiny glass beads from Venice made their way to Alaska decades before Christopher Columbus‘ arrival in the New World. The beads, the colour and size of blueberries, were uncovered in a house pit in Punyik Point, a seasonal Inuit camp near the Continental Divide in Alaska’s Brooks Range.

Archaeologists determined the objects were created between 1440 and 1480 following a radiocarbon-dating of twine that held the jewellery.

Researchers from the University of Alaska suggest the beads were among trinkets that passed hands through various trade routes — starting in Europe, then along the Silk Road to China, through Siberia and finally to the Bering Strait.  According to the study, the new discovery resets the clock on when traded began between Europe and North America.

Mike Kunz, an archaeologist with the university’s Museum of the North in Fairbanks, discovered a total of 10 beads in three locations in the Brooks Range: Punyik Point, Kinyiksugvik and Lake Kaiyak House.

Kunz theorizes the baubles were just small piece of a number of trinkets that made their way various trade routes that began in Europe, then along the Silk Road to China, through Siberia and finally across the Bering Strait.

They were then presumably brought across the frigid Arctic Ocean to Alaska by kayak.  Punyik Point was a popular stopping point for traders, Kunz says, because of the many caribou in the area. 

‘And, if for some reason the caribou didn’t migrate through where you were, [it also] had excellent lake trout and large shrub-willow patches,’ he added. University of Wisconsin archaeologist William Irving found several turquoise beads at Punyik Point in the 1950s and 1960s.

But Irving had no way to know when they were deposited.

Flash forward to 2004, when Kunz and Bureau of Land Management archaeologist Robin Mills returned to the ancient campsite. They found three more beads there, along with copper bangles, metal loops that could have been earrings and other metal pieces that could have been part of a necklace or bracelet.

Wrapped around one of the bangles was a twine that had survived centuries of burial just a few inches below the surface. Because the twine is made of plant fibres — probably the inner bark of shrub willow, the scientists surmised— it meant they finally had an organic matter to conduct radiocarbon dating on using Accelerator mass spectrometry.

‘We almost fell over backwards,’ Kunz said in a release. ‘It came back saying [the plant was alive at] some time during the 1400s. It was like, Wow!’

With that information, along with radiocarbon dating of charcoal found nearby, they surmised the glass beads at all three locales arrived at some point between 1440 and 1480.

‘The beads challenge the currently accepted chronology for the development of their production methodology, availability, and presence in the Americas,’ the researchers wrote in a new paper in the journal American Antiquity.

‘This is the first documented instance of the presence of indubitable European materials in prehistoric sites in the Western Hemisphere as the result of overland transport across the Eurasian continent.’ 

According to Kunz and Mills, the beads probably made landfall at Shashalik, an ancient trading post north of modern-day Kotzebue, and then were transported further inland.

The archaeologists theorize they were part of a necklace or other piece of jewellery.  The item’s location, at the entrance to an underground house, suggests it was dropped or discarded rather than intentionally buried.

Venice has been known as a glassmaking mecca for over 1,500 years, with the island of Murano the centre of production since at least the 13th century.

Columbus’ ships landed in the Bahamas in October 1492, before venturing on to Cuba and Haiti, where he started the first European settlement in the Americas since the Norse some 500 years earlier. 

After briefly returning to Spain, Columbus made three more voyages to the New World between 1493 and 1502, exploring the Lesser Antilles, Trinidad, Puerto Rico and the northern coast of South America. 

The bead variety, commonly known as ‘Early Blue’ and ‘Ichtucknee Plain,’ has been found throughout the Caribbean, the east coasts of Central and North America, and the eastern Great Lakes region, but only after Columbus’ arrival, generally between 1550 and 1750.

An extraordinary find: Ancient, underground Etruscan pyramids spotted in Italy

Archaeologists are scratching their heads about an underground pyramid-shaped structure they have been excavating beneath the historic medieval town of Orvieto in Italy. But it may not be a mystery forever. They hope to find answers as they continue to tease artifacts and architectural materials from the soil.

“We discovered it three summers ago and still have no idea what it is,” write Prof. David B. George of St. Anselm College and co-director Claudio Bizzarri of PAAO and colleagues about the site. “We do know what it is not.  It is not a quarry; its walls are too well dressed. It is not a well or cistern; its walls have no evidence of hydraulic treatments.”

Calling it the “cavitá” (‘hole’ or ‘hollow’ in Italian), or hypogeum, the archaeologists have thus far excavated about 15 meters down.

They marked their third year at the site in 2014. By then they had uncovered significant amounts of what they classify as Gray and Black bucchero, common ware, and Red and Black Figure pottery remain. They have dated deposits to the middle to the end of the 6th century BCE.

“We know that the site was sealed toward the end of the 5th century BCE,” George, et al. continue. “It appears to have been a single event. Of great significance is the number of Etruscan language inscriptions that we have recovered – over a hundred and fifty. We are also finding an interesting array of architectural/decorative terra cotta.”

Orvieto has long been known for its scenic medieval architecture. Located in southwestern Umbria, Italy, it is situated on the summit of a large butte of volcanic tuff, commanding a view of the surrounding countryside, and surrounded by defensive walls built of the same volcanic tuff. 

Beneath it and in the surrounding areas of the medieval town, however, lie ancient Etruscan and Roman remains, a focus of archaeological investigations and excavations by various teams for decades.

George’s excavations have centered on four different sites in the area, two (Coriglia and the Orvieto underground structures) of which will be further excavated in the near future.

The Coriglia excavations have resulted in a wealth of finds, including monumental structures such as Etruscan and Roman walls, Etruscan and imported Greek ceramic materials, three large basins dated to the Roman Imperial period, and apsidal structures with associated features related to the management of water for baths or other purposes.

“We have uncovered evidence for occupation of the site dating from the 10th century BCE all the way to the 16th century CE, as well as random realia from World War II,” write George, et al.

Overall, excavations under George and Bizzarri’s direction in the area have recovered monumental structures, sculptures, mosaics, coinage, inscriptions, ceramics, frescoes, and numerous other artifacts.

Looking forward, he anticipates new finds that will shed additional light and answer more questions about what the sites at Orvieto and Coriglia are all about.

“We are still trying to determine how the structure was ‘killed’ [filled in and then abandoned] – in a short period of time confined over the course of a few months or over a much longer period,” says George, referring to the cavitá.

“The tight dating of the Attic pottery seems to indicate a short period but the enormous quantity gives one pause. At Coriglia, our current hypothesis is that it is a sanctuary. We wish to test this by excavating in areas that should yield architectural and ceramic evidence that would be associated with such use.

We are still working on the phasing of our walls and getting a handle on three periods of expansion, at least one of which followed a mudslide.”

Even more important, however, maybe what their findings will ultimately say about the lives of people in the region so long ago. Write George, Bizzarri, and colleagues, “based on what is known from similar sites in the region, the members of our archaeological expedition may be confident that they will make discoveries that will reflect daily life in the Etruscan and Roman periods.”

The Mosaics of Piazza Armerina: The Villa Romana Del Casale

This wonderful ancient Roman site near the town of Piazza Armerina was entirely off my radar and is the kind of spot that you will easily overlook without noticing it. But if you may, you really need to visit Villa Romana del Casale, since it is one of the best-preserved Roman ruins I have ever seen.

Villa Romana, rightly a UNESCO World Heritage Site, is most renowned for its incredible mosaics. Now, you could be saying, “So what, I’ve seen ancient mosaics before, and usually they’re not that complete or impressive.” But I’m telling you, the mosaics here are going to blow away your expectations. I’m wary of over-hyping this attraction,  so hopefully, the rest of this article will show you why you need to visit.

History of Villa Romana del Casale

With any historical attraction like this, you have to acknowledge its history to truly appreciate it. Although today found right outside Piazza Armerina Villa Romana del Casale predates the small city by many centuries. Built-in the 4th century AD, the villa replaced a smaller rustic residence from the 3rd century. Historians believe that a member of the Roman provincial aristocracy, possibly a governor, owned the villa at this time.

Following the fall of the Roman Empire, the villa was fortified in the 5-6th century AD. In later centuries, it grew to become a large medieval settlement, until its people abandoned it in the 13th century. In around the 15th century, a small community known as Casale was founded here over the now-forgotten ruins. The ruins were then essentially lost to time until the 19th-20th century when people started to discover the treasure trove beneath.

More and more of the ancient villa was uncovered by excavations in the 40s, 50s and 60s. It was only a matter of time before UNESCO declared it a Worth Heritage Site in 1997. Since 2004, those responsible for the sight have undertaken major recovery work to preserve the site and its incredible mosaics.

The Villa Romana Mosaics

Although there are quite a few elements to Villa Romana, the mosaics are easily the most noteworthy. I will touch on the other parts of the ruins a little later, but if I’m honest, they’re greatly overshadowed by the mosaics. Seeing the ruined outline of an ancient Roman villa is a rare thing, but to see room after room of that villa covered in intact mosaics is another thing entirely.

And it’s not like it’s the same mosaic patterns over and over. There’s an incredible variety of designs here, from mosaics with scenes related to a particular theme to beautiful geometric patterns. While the geometric patterns are nice enough, I personally enjoyed the thematic ones as they had a story or idea behind them.

Understanding the Mosaics

Some mosaics are centred around a theme like the seasons, showing you how that concept was perceived at the time. Others relayed an aspect of life at the time, such as women competing in athletic sports. Then there are the ones recounting a local legend or story from mythology, like the tale of Orpheus and the labours of Hercules. Imagine having a story from Roman mythology sprawled across your floor.

Because you’ll see these mosaics in most of the villa’s rooms. They decorated the floors of important halls, but also bedrooms and even regular service rooms and side rooms. That seems a little extravagant for the servant’s quarters or your pantry, but apparently not for them.

By the way, you do learn about each room, its purpose and design throughout your tour of the villa. As you go there are information boards that identify the themes and characters of the mosaic. They also often point out subtle symbolic or figurative elements that show the level of thought and detail that went into the mosaic design. With that understanding, you appreciate what you’re seeing even more.

Peristyle Courtyard

While there are a few fragments of mosaics in the entrance to the villa, it’s the peristyle where you first get a real sense of the mosaics here. The peristyle is basically a central courtyard for the villa, with a portico surrounding a garden and fountain. What makes the peristyle special is that the walkways around the outside are covered in mosaics, most of which are nearly complete. That said, there’s also the ornately carved columns and even fragments of frescoes on the walls.

The mosaics here all follow a single design, that of an animal surrounded by a wreath. There’s quite some variety in the animals depicted, but also in the colours used. To see the mosaics, visitors walk on elevated walkways that really help give you a sense of the scale here. What’s more, the walkways bring you across to the rooms off the peristyle, many of which have their own unique mosaics inside.

Ambulatory of the Big Hunt

At this point in the visit, it’s hard to imagine anyone spot being a clear highlight. But then you come to the Ambulatory of the Big Hunt and it becomes clear that this is the highlight. You may have seen lots and lots of mosaics so far, but none quite like.

That’s because the Ambulatory of the Big Hunt is one continuous corridor mosaic that runs 60 metres from one side of the villa to the other. The scale of this mosaic is unbelievable, but the fact that it creates such a comprehensive scene is even more remarkable.

The ambulatory tells the story of the Roman Venatio, where wild animals were fought in amphitheatres for the purposes of entertainment, broken down into distinct episodes.

As you move from one side of the Ambulatory to the other, you follow the story of the Venatio. First, you see scenes of how wild animals were captured from across the Roman Empire. The size of the Roman Empire means that the scene includes quite an exotic range of creatures, from lions and rhinoceroses, but also mythical ones like griffins. Then, the scenes show the animals transported across the seas back to Rome. Once you understand the theme it’s amazing how clear the meaning is behind each episode.

Other Ruins of the Villa

Having talked about the mosaics to death, let’s take a quick look at the other things to see here. You’ll encounter other parts of the villa both before and after the mosaics, with the Roman baths and the Basilica the two most memorable. Admittedly, Roman baths with each of the different temperature rooms are fairly common at archaeological excavations. But I did like how you can see they heat each of the rooms with the cutaway floor inside.

Then there’s the Basilica, the largest and most important room of the villa, which hosted the court. Although it too has some mosaics to look at, what makes the Basilica special is its rare polychrome marble surfaces. The different marble used originates across the Mediterranean and its liberal use for the floors and walls highlights just how important this stately hall was.

ANCIENT EROTICA Pornographic Pompeii wall paintings reveal the raunchy services offered in ancient Roman brothels 2,000 years ago

The amorous activities of ancient Italians have been revealed by wall paintings in a historical Pompeii brothel. The ‘Lupanar of Pompeii.’ are decorated with Centuries-old wall paintings showing explicit sex scenes.

Before the Roman city was famously wiped out by a volcanic eruption in 79 AD, the sex house was once a hangout for wealthy businessmen and politicians. Researchers claim the services offered by prostitutes may have been suggested by the erotic paintings showing group sex and other acts. These services and ventures still happen to this day all over the globe, however, with the invention of the internet it can be much easier to find a willing female on a website similar to https://www.escortdirectory.com/escorts-munich-199 to exchange sexual acts for money. It’s surprising to see this happened in some form 2,000 years back, and even more surprising that they kept paintings of their numerous sexual acts. It is a far cry from the world we live in today, where many of us know how to unblock XNXX and other adult sites, but it also shows that our enjoyment of adult entertainment hasn’t changed.

The Lupanar of Pompeii was the centre point for the doomed city’s thriving red-light district. The ancient Roman brothel was originally discovered in the nineteenth century. It was closed but was recently re-opened to the public in October 2006.

While the brothel is neither the most luxurious nor the most important historic building in what remains of Pompeii, it is the most frequently visited by tourists from across the world. Perhaps it inspires a night or two with a pocket pussy or other toys after a visit..

Prostitutes at the brothel were not exclusively women. Men, especially young former slaves, sold themselves there too – to both men and women. The erotic lives of Pompeii’s prostitutes were recently illustrated by Western University professor, Kelly Olson.

Professor Olson focuses her work on the role of women in Roman society, and the apparent open sexuality visible in the many frescos and sculptures.

The Classical Studies professor travelled to the ancient city last month as a featured expert on Canadian broadcaster CBC’s programme ‘The Nature of Things’.

Speaking of life in ancient Pompeii brothels, she said: ‘It’s not a very nice place to work.’ ‘It’s very small, dank and the rooms are rather dark and uncomfortable,’ she told CBC.

‘Married men could sleep with anyone as long as they kept their hands off other men’s wives,’ she said. ‘Married women were not supposed to have sex with anyone else.’

The building is located in Pompeii’s oldest district. The two side streets that line the brothel were once dotted with taverns and inns.

Upon entering the building, visitors are met by striking murals of erotic scenes painted on the walls and ceilings. In each of the paintings, couples engage in different sexual acts.

According to historians, the paintings weren’t merely for decoration – they were catalogues detailing the speciality of the prostitute in each room. Two thousand years ago, before the devastating volcanic eruption, prostitution was legal in the Roman city.

Slaves of both sexes, many imported from Greece and other countries under Roman rule, were the primary workforce. The Unesco World Heritage Site is of special importance because, unlike other Pompeii brothels at the time, the Lupanar of Pompeii was built exclusively for prostitution appointments, serving no alternative function.

Its walls remain scarred by inscriptions left by past customers and working girls. Researchers have managed to identify 120 carved phrases, including the names of customers and employees who died almost two thousand years ago.

Many of these inscriptions include similar phrases to those ones would find in a modern-day bathroom, including men boasting of their sexual prowess.

On the top floor of the building sit five rooms, each with a balcony from which the working girls would call to potential customers on the street.

Much like in ancient Rome, researchers speculate that Pompeii prostitutes were required to legally register for a licence, pay taxes, and follow separate rules to regular Pompeii women.

For example: When out on the street, Pompeii’s working girls wore strict attire – they wore a reddish-brown coat at all times, and dyed their hair blonde. Prostitutes were separated into different classes depending on where they worked and the customers they served.

Though the historic sex site has been “closed for business” for some time, that hasn’t stopped some raunchy holidaymakers attempting to re-christen the building. In 2014, three French holidaymakers were arrested for trespassing after breaking into the brothel ruins for a late-night sex romp.

A Frenchman and two Italian women, all aged 23 to 27, allegedly broke into the Suburban Baths to fulfil their fantasies inside a former brothel that is still decorated with centuries-old wall paintings depicting explicit sex scenes.

But authorities brought the group’s middle-of-the-night threesome to a premature end.

Archaeologists uncover ancient street food shop in Pompeii

Archaeologists in Pompeii, the city buried in a volcanic eruption in 79 AD, have made the extraordinary find of a frescoed hot food and drinks shop that served up the ancient equivalent of street food to Roman passersby.

Known as a termopolium, Latin for hot drinks counter, the shop was discovered in the archaeological park’s Regio V site, which is not yet open the public, and unveiled on Saturday.

Traces of nearly 2,000-year-old food were found in some of the deep terra cotta jars containing hot food which the shop keeper lowered into a counter with circular holes.

The front of the counter was decorated with brightly coloured frescoes, some depicting animals that were part of the ingredients in the food sold, such as a chicken and two ducks hanging upside down.

“This is an extraordinary find. It’s the first time we are excavating an entire termopolium,” said Massimo Ossana, director of the Pompeii archaeological park.

Archaeologists also found a decorated bronze drinking bowl known as a patera, ceramic jars used for cooking stews and soups, wine flasks and amphora.

Pompeii, 23 km southeast of Naples, was home to about 13,000 people when it was buried under ash, pumice pebbles and dust as it endured the force of an eruption equivalent to many atomic bombs.

“Our preliminary analyses show that the figures drawn on the front of the counter, represent, at least in part, the food and drink that were sold there,” said Valeria Amoretti, a site anthropologist.

Amoretti said traces of pork, fish, snails and beef had been found in the containers, a discovery she called a “testimony to the great variety of animal products used to prepare dishes”.

About two-thirds of the 66-hectare (165-acre) ancient town has been uncovered. The ruins were not discovered until the 16th century and organised excavations began about 1750.

Rare documentation of Greco-Roman life, Pompeii is one of Italy’s most popular attractions and a UNESCO World Heritage Site.

Sunken Medieval Village is Eerily Emerging from an Italian Lake

At the bottom of a lake, a forgotten medieval town that has been ‘frozen in time’ looks ready to resurface, probably giving tourists a direct glimpse back into the past.

Since 1947, the Italian village of Fabbriche di Careggine has been submerged under the waters next to a hydroelectric dam, but for the intervening years, it has remained in remarkably good condition under the man-made lake.

A group of blacksmiths founded the small community in Tuscany in the 13th century and soon became well-known for the ironwork produced there.

Now, the town – which is near to another settlement called Vagli di Sotto – could re-emerge as the dam is drained for maintenance works.

This has happened four times since the dam created Lake Vagli, and each time as the waters receded, the church and several buildings from the old village creep eerily from the past into the present day.

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The most recent time the village was at surface level was in 1994, and thousands of tourists flocked to the site to catch a glimpse of 13th-century life.

Pictures taken back then show that the church, the cemetery, and the bridge in and out of town are still standing.

According to the daughter of the ex-mayor of Municipality of Vagli di Sotto – a fairly tenuous source, admittedly – the works could see the submerged settlement dragged out of the depths and into the 21st century.

Lorenza Giorgi, whose father Domenico Giorgi was the mayor back in 1994, said on Facebook that the plan is to drain the lake next year.

She wrote: “I inform you that from certain sources I know that next year, in 2021, Lake Vagli will be emptied.

“The last time it was emptied in 1994 when my father was mayor and thanks to his commitment and to the many initiatives that, with effort, had managed to put up in one summer the country of Vagli welcomed more than a million of people.

“In 1994 my father tells me that it was difficult to attract such a large number of people and that everything was done without burdens on the administration, besides those of ordinary representation of a small municipality.”

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She continued: “I hope that next year, strong of the past experience of which everyone has a beautiful memory and with the help of social networks, we will be able to repeat and overcome the great success, with just as much attention.”

It has also been reported that the energy company that owns the dam (ENEL) is considering draining the lake in order to boost the ailing tourism industry in the area.