A mass grave of children unearthed in ancient city

Archaeologists have unearthed a mass grave of children dating back to the fifth century in the ancient city of Savatra in the Central Anatolian province of Konya.

Excavation work has been ongoing for the past three years in the ancient city of Savatra, under the leadership of İlker Işık, the head of the Department of Cultural Heritage Preservation and Restoration at Selçuk University.

During surface surveys in 2020, a remarkable discovery was made — an inscription in the Greek alphabet bearing the word “Türkoğlu,” the descendant of a Turk in Turkish, marking the first occurrence of the term “Turk” in Anatolia.

This year’s excavation efforts led to the discovery of mosaic floors in a 400-square-meter area, presumably belonging to a church foundation.

As the excavation continued, a collective children’s burial site dating to the fifth century was revealed.

“We encountered two different burial typologies in terms of east-west orientation, consisting of chamber tombs and tile graves.

We identified a children’s cemetery, primarily consisting of non-adult individuals, ranging from fetuses to approximately 13-14 years of age. In total, we found 42 skeletons here,” Işık explained.

Highlighting the distinct burial techniques found, Işık added, “For example, we encountered instances of stacked burials, even finding five skulls in a single grave. Whether due to familial connections or the functional continuity of the burial sites, we observed these overlapping burials.

Various small artifacts, such as coins, rings, and earrings, were also discovered during the excavation.

Starting this year, excavation efforts are continuing in the area known as the narthex, situated at the rear of the church. Significant discoveries have already been made in this approximately 400-square-meter mosaic area.

“This is indeed a crucial find for Anatolia. The presence of such a splendid mosaic area in Konya not only underscores the richness and grandeur of the region but also serves as a significant testament to the city’s historical importance.

In light of this, we intend to persist in our excavation efforts this year, with a particular focus on the mosaic area, to unveil more of its hidden treasures,” Işık said.

Huge Ancient Sarayini Underground City Is Twice As Large As Previously Thought

Scientists knew the ancient underground city they examined was huge, but now it’s obvious it’s twice as large as previously thought! What secrets does this mysterious ancient place hide? How many underground tunnels, galleries, chambers, and unknown rooms still await discovery?

The ancient underground city in Sarayönü, a district of Konya in Turkey, dates back to the Roman period. When first examined by archaeologists, it was thought the subterranean city covered an area of  ​​5000 m2, but a recent investigation reveals this enigmatic ancient place is at least 20,000 square meters, if not even more!

In co-operation with the Ministry of Culture and Tourism and Sarayönü Municipality, scientists are investigating the ancient underground city for the second year.

What has been discovered so far is fascinating. There are dozens of underground rooms connected to each other by tunnels of different lengths and widths. Many corridors, tunnels, and galleries are still waiting to be cleaned, so it is currently difficult to determine where they lead.

Is Sarayini Turkey’s Largest Underground City In Horizontal Architecture?

The history of the subterranean place, which includes domestic spaces, connected galleries, room-like living spaces, water wells, furnaces, workshops, chimneys, oil lamps for lighting, cellars, warehouses, ventilation, and spaces whose quality has yet to be investigated, dates back to the 8th century.

Hasan Uguz, archaeologist and head of excavations of Konya Museums Directorate, said that based on the findings, scientists determined that “the local Christian people used the underground city in the 8th century to protect themselves from the raids that lasted for 150 years” the Konya News reports.

Uguz explained that elderly people who had lived here all their lives used to play in the tunnels as children. Locals knew a very large underground city was here, but no one could even guess how vast it was. Scientists did not think the underground tunnels, corridors, and rooms could spread over such a large area.

Uguz said it is possible this is the largest underground city in Turkey ever discovered in horizontal architecture.

“We may have found one of the largest underground cities in Central Anatolia. The rumors of the people of the region and the collapses in different places show us that the underground city can spread over a very wide area and that it can be a very long tunnel system.

The openings and dents we caught give positive signals at this point. It is an important historical and tourist discovery, as no other underground city is known in the region,” Uguz told the Konya News.

Ancient Sarayini Underground City Was A Comfortable Place

“In our research, we noticed that 19th-century European travelers refer to this region as Sarayini. The people living here also say this. The real name of this place is Sarayini. It has been determined that the caves resemble a palace because of their very spacious, comfortable, interconnected, and high-quality-of-life architecture, and in this sense, it is called Sarayini,” Uguz told the Anadolu Agency.

The archaeologists explained that scientists discovered a very wide corridor resembling what could be best described as a main street. On the left and right sides of the corridor were galleries connected by tunnels and other corridors.

The ancient underground city gives the impression of being prepared for people to live as comfortably as possible, almost like residing in a palace.

In an interview with the Anadolu Agency, Uguz said the archaeological investigations continue. During excavations, the science team discovered altar-type tombstones, tomb stelae made in the Roman period, sophisticated artificial walls built, and a north-south oriented structure reminiscent of a wooden cross.

Uguz explained that the underground city’s human capacity and exact size will become clear as the work progresses.

Soil currents coming from some submerged places with water filled the spaces between 30 and 80 cm. After the spaces are cleaned and exposed, the capacity and size of human accommodation will become clear. There are domestic spaces and interconnected galleries that excite us.

The most important thing for us is the discovery of this place and the start of the work. This underground mystery, how people lived here, how these places were created at that time attracts attention,” Uguz said.

8,000-year-old Cave paintings found in Türkiye’s İnkaya Cave depict life and death

A number of cave paintings dating back some 8,000 years have been found in İnkaya cave in the Marmara province of Balıkesir during a field study conducted by Associate Prof. Dr. Derya Yalçıklı from Çanakkale (18th March) University, in 2015.

During the same studies, another cave located 5 kilometers away from the İnkaya cave was discovered. The discovery of both caves is known as the most important archaeological discovery made in Anatolia in recent years.

The cave paintings discovered in the Baltalıin and İnkaya Caves, which are situated in the Delice neighborhood of the Dursunbey district in the Balıkesir province of Turkey, offer information that sheds light on Neolithic Age life.

One of the remarkable findings showing that people in the Prehistoric Age were undeniably knowledgeable about the phenomenon of childbirth is the scene found among the cave paintings of İnkaya Cave.

The painting depicts a woman becoming pregnant, the pregnancy, and childbirth in an expression that has yet to be matched.

When Baltalıın and İnkaya caves were analyzed separately, it was revealed they were used for different functions, as the paintings in one of them depicted hunting figures, while the other depicted figures of beliefs. The paintings found in the two caves date back to the Late Neolithic period.

Associate Professor Derya Yalçıklı, who discovered and examined the cave paintings, told Arkeonews in an email, “Social and belief systems in Western Anatolia during the Neolithic and Chalcolithic periods constitute an important question of Anatolian archeology, and examining the wall paintings in Baltalıin and İnkaya caves may provide some important answers.”

The floor and northern wall of the İnkaya Cave were greatly damaged by past treasure hunters using dynamite, however, despite this damage, the cave continues to reflect important information about the Neolithic era.

Inkaya Cave is located 2.5 km northwest of Delice neighborhood. The cave, with its karstic quality, consists of a gallery that is 4.5 m deep, 8 m wide, and 4.4 m high. It features two murals located on the northern and southeastern outer edges of the cave entrance.

The panel located on the left side (southwest) of the cave entrance measures 1.43×0.87 meters. There are also four people dancing in the main part of the painting on the left side of the entrance.

A different depiction of a human wearing fur on the right side of two women and two men is depicted, while on the left side of this painting, there is a depiction of a fetus growing in the womb.

Across from a human wearing fur, a human is depicted with a snake behind. It was believed that the snake represents death in this figure, which was interpreted as “the moment of death” by the experts.

The depiction of a human wearing fur and extending his hand forward is believed to be a shaman who is helping human spirits to go to the land of the dead at the moment of death. A portrayal of a dead human without a head offered to the vultures is also depicted.

Life and death are the themes of the cave paintings in İnkaya Cave. The panels representing Life are based on the formation of a fetus inside a pregnant woman’s abdomen, its development, and birth, as well as the celebration of a new individual joining the community, with an emphasis on the shaman’s role throughout this process.

In cave paintings, reliefs, and figurines from the Neolithic period in Anatolia, scenes of sexuality, pregnancy, and childbirth are presented to the viewer from various angles.

The successful use of the “X-ray” style -The rays pass through the painting and create a negative of the darker areas on film- in the creation of the İnkaya Cave painting in the Neolithic period fills a gap in the history of Anatolian painting and sculpture.