Researchers in Bolivia find two skeletons with abnormally elongated skulls
Two of them are of extreme interest since they display anomalous cranial deformation: freakishly large, elongated skulls.
According to researchers one of the skeletons had an elongated head that exceeds the proportions of an artificial cranial deformation, raising the question: what could have caused such a typical feature?
Finnish archaeologists working near the village of Patapatani in Bolivia, recently found the remains of at least six individuals buried under an Aymara funerary tower which was built, thousands of years ago for people of royal status in the ancestral culture.
Interestingly two of the skeletons were of particular interest. One of the skeletons belonged to a woman and the other one of her baby, nothing out of the ordinary other than the fact that both of them had freakishly large elongated heads that were not the result of cranial deformation.
One of the aptest researchers to look into this strange phenomenon is without a doubt Brien Foerster, best known for his extensive research on the (in)famous Paracas skulls.
Brien Foerster recently took a trip to the Patapatani museum where researchers transferred the skeletons that were unearthed.
In his journey, Brien Foerster was accompanied by an American radiologist and expert in human anatomy and Bolivian researcher and author Antonio Portugal.
According to experts, based on the shape of the pelvis, the skeleton we see in the images belongs to a young woman who died in her preadolescence.
The young girl had an elongated head that exceeds the proportions of an artificial cranial deformation, raising the question of what could have caused such typical features?
In addition to the skeleton of the young girl, the fetus found in the tomb is believed to have died between nine and seven months into development. It is likely that the fetus died with the mother during birth.
In his website Brien Foerster points out that if this proves to be the case, it is very likely that the baby would have been born with an elongated skull as well, meaning that both the mother and the fetus had similar conditions.
Brien Foerster points out that the ramifications are enormous since it means that we are possibly looking at a subspecies of ancient humans that died out thousands of years ago.
Elongated skulls have been found all around the globe and are not an isolated phenomenon of the Americas.
Among the most fascinating examples of elongated skulls are to so-called Paracas skulls discovered in the Pisco Province in the Inca Region on the Southern coast of Peru.
Interestingly, the cranium of the Paracas skulls is are at least 25 % larger and up to 60% heavier than the skulls of regular human beings. But not only are they different in weight, but the Paracas skulls are also structurally different and only have one parietal plate while ordinary humans have two.
Rancher finds the strange rock on his farm, it was not what he had in mind at all
A rancher came across an old bone sticking out of his desert property near La Flecha in the Patagonia region of Argentina four years ago. With the recent news of exciting dinosaur finds in that country in mind, he scratched around some more. Then he went to a local museum to ask paleontologists to come to look for more fossils.
The head of the Titanosaur sticks out into the hallway at the American Museum of Natural History in New York. The discovery that led to the exhibit started with a find by a rancher in the Patagonia region of Argentina.Credit…
Many important dinosaur discoveries are made by non-experts in just this casual way. The rancher’s find soon led to the exposure of skeletal remains of six of the biggest titanosaurs. These herbivores lived about 100 million years ago, in the Late Cretaceous Period, on all continents, including Antarctica. They seemed especially plentiful in southern lands.
Now, the most imposing one of these dinosaurs from the far south of South America, assembled from 84 fossil pieces excavated from the rancher’s land, is the newest eyeful of ancient life on display at the American Museum of Natural History in Manhattan. The hulking skeleton cast made its debut as a permanent attraction. Museum officials and scientists called it a must-see addition to the ranks of such popular icons as the institution’s great blue whale and the fierce Tyrannosaurus rex.
“There’s nothing like finding a great new fossil, especially such a huge one,” said Michael J. Novacek, the museum’s senior vice president, provost of science and a curator of paleontology.
The dinosaur on which the Titanosaur cast is based was excavated in the desert near La Flecha, Argentina. Paleontologists at Argentina’s Paleontological Museum Egidio Ferugilio did much of the excavation.
The new research is expected to yield insights into the physiology of dinosaurs and how they were able to grow and function as such large creatures.
“Paleontology has become less geological and more biological in the last 20 years or so,” said Mark A. Norell, chairman of the paleontology division at the museum and a leading dinosaur researcher. He cited the field’s new “geochemical tools” for determining diet, growth patterns, and locomotion. “All of us are simply biologists who work on fossils,” he added.
The exhibit is not only a centerpiece for the museum’s fossil collections but also the start of a wide range of dinosaur programs for the year, including symposiums and another exhibition, “Dinosaurs Among Us,”
The Patagonian skeleton was not an easy fit in its New York home. At 122 feet in length, it was a bit too long for the gallery. Part of its 39-foot-long neck extends through an opening in a wall toward the elevator banks as if to welcome visitors to the fossil floors.
This titanosaur was a young adult, gender undetermined. Its appetite for all kinds of vegetation must have been prodigious. Based on bone sizes, researchers estimated that this individual weighed 70 tons — as much as 10 African elephants, the heaviest land animals today. Think of its possible heft if it were fully grown. Think of it satisfying its huge appetite by stretching its long neck to graze far and wide. With only a few shifts in position, it might have mowed the equivalent of all the grass in Yankee Stadium in a morning.
Weight was also a factor in preparing the skeleton cast for display, a task undertaken by Research Casting International in Canada. The actual mineralized fossils were too heavy to mount. Instead, all “bones” are made from lightweight fiberglass based on digital copies of the original fossils.
Much of the grueling excavation leading to the discovery was done by teams led by José Luis Carballido and Diego Pol, paleontologists at Paleontological Museum Egidio Feruglio in Argentina. They began excavating for months at a time after the rancher’s visit. Sometimes it took a week of digging to isolate a single femur or a forelimb. Thighs and upper arms are critical to judging the size and weight of a dinosaur.
Dr. Pol said the excavations revealed that at least six of these giant individuals, all young adults, had died at the site of what had been a flood plain near a river. Their deaths had happened at three distinct times, anywhere from a few years to centuries apart. Like many herding animals, they may have become isolated from the group and died of stress and hunger near their watering hole.
“That’s when we realized this was a once-in-a-lifetime discovery,” Dr. Pol said. Dinosaurs are the big game to fossil hunters, and these were some of the biggest plant-eating dinosaurs ever found.
The size and distinctive shape of an eight-foot femur of one specimen astonished scientists. This appeared to be a previously unknown titanosaur species, yet unnamed. Dr. Pol said a report that is being prepared may soon propose a formal species name.
In a bravura moment, Dr. Pol had his picture taken stretched out on the ground beside the femur, about the size of a living room couch. The photograph caught the attention of paleontologists at the natural history museum in New York, where Dr. Pol had done his Ph.D. research. “Maybe we can get that thing,” one said. “That would look great for a renovated dinosaur gallery,” another said.
Early last year, Dr. Novacek signed the deal with the Argentine museum to build the full-size skeleton cast for permanent display in New York. On a visit a few days before the titanosaur’s unveiling, workers were applying finishing touches as Dr. Norell paused at the entrance, under the watchful eye and toothy jaw of the star attraction.
A section of neck was rolled out of the basement garage of the museum. Scientists were astonished by the size and distinctive shape of the find.
“I guarantee you are going to remember this first impression,” Dr. Norell said. “Seeing something like this, you don’t quite have anything to compare its size and aspect with.”
He was right. The dinosaur was inexpressibly strange and big. Once again, we are reminded of what we know: Dinosaurs mostly were big, an engaging mystery and a challenge. The titanosaur’s arrival at the museum may inspire a new understanding of these incredible creatures. It is exciting enough to walk a corridor to the fossil galleries in anticipation of meeting it and spending some time with old friends of fond memory.
Dr. Novacek is not bothered by some skepticism that the specimens are from the biggest dinosaur discovered so far and that these may soon be eclipsed in size by new excavations.
“Every time we find the biggest dinosaur,” he said, “we soon find a bigger one in the next dig.”
Gigantic 2,000-Year-Old Geoglyph of an Orca Is One of the Earliest in Peru
A giant geoglyph of the killer whale, carved to a desert hillside in the remote Palpa region of southern Peru after being lost to science for over 50 years, has now been rediscovered by archeologists.
The rediscovered orca geoglyph lies on a desert hillside in the remote Palpa region of southern Peru.
According to the researchers, the 230-foot-long (70 meters) orca figure – considered a powerful, semimythical creature in ancient Peruvian lore — may be more than 2,000 years old, according to the researchers.
It is said to be one of the oldest geoglyphs in the Palpa region, older than those in the Nazca region known for its vast collection of ancient ground markings– the Nazca lines – which include animal figures, straight lines, and geometric shapes.
Archaeologist Johny Isla, the head of Peru’s Ministry of Culture in Ica province, which includes the Palpa and Nazca valleys, explained that he saw a single photograph of the orca pattern for the first time about four years ago. He’d seen it while researching studies of geoglyphs at the German Archaeological Institute in Bonn.
The photograph appeared in an archaeological catalog of geoglyphs printed in the 1970s, which was based on research carried out in Palpa and Nazca by German archaeologists in the 1960s, Isla said.
But the location and size of the orca geoglyph were not well-described in the catalog, Isla told Ancient Origins in an email.
As a result, he said, the glyph’s whereabouts in the desert hills of the Palpa Valley, about 250 miles (400 kilometers) south of Lima, were by then unknown to local people or to scientists.
After returning to Peru, Isla looked for the orca geoglyph on Google Earth and then on foot. “It was not easy to find it, because the [location and description] data were not correct, and I almost lost hope,” he said. “However, I expanded the search area and finally found it a few months later,”
Orca art
After documenting the rediscovery, Isla led a team of six specialists from Peru’s Ministry of Culture in an effort to clean and restore the orca geoglyph in March and April this year.
Before the restoration, the geoglyph was disappearing due to erosion and the passage of time. “Being drawn on a slope, it is easier [for it] to suffer damage than [for] those figures that are in flat areas, such as those of the Nazca Pampa,” he said.
Until the restoration this year, time and erosion had almost obliterated the ancient orca geoglyph to untrained eyes.
The creators of the orca drew it on the hillside in negative relief by removing a thin layer of stones to form the outline of the figure. This is similar to the technique used by the people of the Nazca culture to create geoglyphs from about 100 B.C. to A.D. 800.
But some contrasting parts of the rediscovered pattern, such as the eyes, were created out of piles of stones, the researchers said. This technique was used by people of the older Paracas culture, who occupied the region from around 800 B.C. to 200 B.C.
Soil tests have indicated that the orca geoglyph dates from around 200 B.C. The style of the pattern and its location on a hillside, rather than on a plain, suggest that it may be one of the oldest geoglyphs in the region, said one of Isla’s colleagues, Markus Reindel of the German Archaeological Institute, in an interview in a German newspaper.
Isla said that before the restoration earlier this year, it would have been hard for a layperson to see the orca. “With the eyes of an archaeologist, and after having seen the photo in the catalog and later in Google Earth, it was not very difficult,” he said. “However, [for] the eyes of a person without these advantages, it was a bit difficult.”
Over half a century ago, deep in the jungles of Guatemala, a gigantic stone head was uncovered
The face had fine features, thin lips, and a large nose, and its face was directed up at the sky. Unusually, the face demonstrated Caucasian features that were not consistent with any of the pre-Hispanic races of America. The discovery rapidly attracted attention, but just as quickly it slipped away into the pages of forgotten history.
News of the discovery first emerged when Dr. Oscar Rafael Padilla Lara, a doctor of philosophy, lawyer and notary, received a photograph of the head in 1987 along with a description that the photograph was taken in the 1950s by the owner of the land where the head was found and that it was located “somewhere in the jungles of Guatemala”.
The photograph and story were printed in a small article in the newsletter ‘Ancient Skies’, which was picked up and read by well-known explorer and author David Hatcher Childress, one of our guest authors at BBC, who sought out to discover more about the mysterious stone head.
He tracked down Dr. Padilla who reported that he found the owners of the property, the Biener family, on which the monolith was found. The site was 10 kilometers from a small village in La Democracia in the south of Guatemala.
However, Dr. Padilla said that he was in despair when he reached the site and found that the site had been obliterated: “It was destroyed by revolutionaries about ten years ago. We had located the statue too late. It was used as target practice by anti-government rebels. This totally disfigured it, sort of like the way the Sphinx in Egypt had its nose shot off by the Turks, only worse,” he said.
The eyes, nose, and mouth had completely gone. Padilla was able to measure its height as between 4 and 6 meters, with the head resting on a neck. Padilla did not return again to the site due to armed attacks between government forces and rebel forces in the area.
The destruction of the head meant the story died a rapid death until it was picked up again a few years ago by filmmakers behind “ Revelations of the Mayans 2012 and Beyond ” who used the photograph to claim that extra-terrestrials have had contact with past civilizations.
The producer published a document written by Guatemalan archaeologist Hector E Majia who wrote: “I certify that this monument presents no characteristics of Maya, Nahuatl, Olmec or any other pre-Hispanic civilization.
It was created by an extraordinary and superior civilization with awesome knowledge of which there is no record of existence on this planet.”
However, far from helping the cause and the investigation into the monolith, this publication only served to have the opposite effect, throwing the whole story into the hands of a justifiably skeptical audience who thought that it was all just a publicity stunt. Even the letter itself has been drawn into question with some saying that it is not genuine.
Nevertheless, it appears the giant head did exist and there is no evidence to suggest the original photograph is not authentic or that Dr. Padilla’s account was false. So assuming it was real, the questions remain: Where did it come from? Who made it? And why?
The region where the stone head was reported to have been found, La Democracia, is actually already famous for stone heads which, like the stone head found in the jungle, also face skyward.
These are known to have been created by the Olmec civilization, which flourished between 1400 and 400 BC. The Olmec heartland was the area in the Gulf of Mexico lowlands, however, Olmec-style artifacts, designs, monuments, and iconography have been found in sites hundreds of kilometers outside the Olmec heartland, including La Democracia.
Nevertheless, the stone head depicted in the 1950s photograph does not share the same features or style as the Olmec heads. The late Phillip Coppens, Belgian author, radio host and TV commentator on matters of alternative history raised the question of whether the head “is an anomaly of the Olmec period, or whether it is part of another – unknown – a culture that predated or post-dated the Olmecs, and whose only artifact identified so far is the Padilla head”.
Other questions that have been posed include whether the structure was just a head, or whether there was a body underneath, like the Easter Island statues, and whether the stone head is linked to any other structures in the region.
It would be nice to know the answers to these questions but sadly it appears the publicity surrounding the film “Revelations of the Mayans 2012 and Beyond” only served to bury the story deeper into the pages of history. Hopefully an ambitious explorer will pick up the story once again and investigate further to find the truth regarding this enigmatic monument.
A trove of 5,000-year-old artifacts returns to Ecuador
Almost 40 years after the objects were moved to Canada for research, a series of artifacts from one of the most ancient settled civilizations in America was returned to Ecuador.
Although historical artifacts and art treasures have become fairly common in their places of origin, the current case is special because the objects were accompanied by media containing everything the scholars in Canada learned about them over the course of four decades.
The documents, pottery, gems and sculptures belonged to Valdivia Culture, which flourished between 3800 and 1500 BC in present-day Ecuador.
Besides the artifacts, the 166 crates that arrived on June 5 at San Francisco de Quito University in the Ecuadorian capital held five human skeletons.
The project began during an era when “there was not much in the way of technical-legal norms” regarding the shipment abroad of archaeological goods, Joaquin Moscoso, director of Ecuador’s National Institute of Cultural Patrimony, told EFE.
In 1982, he said, thousands of Valdivia items were taken to Canada from a dig in the southwestern coastal province of Santa Elena.
Their return to Ecuador came at the initiative of James Scott Raymond, professor of archaeology at the University of Calgary.
“They didn’t just return objects and fragments, but all of the scientific information,” Moscoso said, crediting Raymond and his team for carrying out one of the most “solid and interesting” studies of the Valdivia Culture, which was uncovered in the mid-1950s.
The work done in Canada on the Santa Elena artifacts led scholars to change some of their views on the development of settled cultures in the Americas, according to Florencio Delgado, head of the Quito’s university’s Archaeology Institute.
“Until this study, it was thought that the first populations in the New World who made ceramics were on the seacoast,” he said. “Now we know that the first ceramicists were farmers and they lived inland.”
The more than 10,000 items and fragments in the shipment from Canada include examples “of the oldest ceramics that have been found so far” on the western side of the Pacific Ocean, Delgado said.
While the abundance of feminine ceramic figures, known collectively as the “Venus of Valdivia,” has led some researchers to speculate that the Valdivia Culture was a matriarchal society.
“There are also human remains and now that it’s easier to do DNA (tests), the collection is ready for those scholars who are seeking to understand processes of settlement,” Delgado said.
Looking forward, he expressed the hope that the repatriation of the Valdivia collection from Canada will spur an effort to compile an inventory of Ecuadorian artifacts taken abroad for study.
Ideally, such an inventory would include information on the condition of the items, whether they are under active study, and if it makes sense to request their repatriation.
“There are times it’s better that they stay where they are because they are being investigated and they are being protected. And frequently, we can’t do that,” Delgado said.
Underwater robot finds shipwreck with treasure worth up to $17B
Researchers have released new details about the discovery of a centuries-old shipwreck holding up to $17 billion worth of sunken treasure off the coast of Colombia. Just don’t ask them to mark the spot with an “X” on any map.
The Spanish galleon San Jose, often called the “Holy Grail of shipwrecks,” was found off the coast of Cartagena, Colombia in November 2015, using a specialized robot, scientists from the Woods Hole Oceanographic Institution said.
WHOI scientists worked with the Colombian government and the Maritime Archeology Consultants group to find the wreck, although it took them some time to confirm that it was actually the San Jose.
MAC allowed the WHOI researchers to announce their role in the project this week, although Colombian President Juan Manuel Santos previously tweeted about the shipwreck discovery in 2015.
The famed 64-gun, the three-mast vessel was sunk by a British ship in 1708, sending it to the bottom of the ocean with its cargo hold loaded full of gold, silver, and emeralds.
Its location has long been a mystery and subject of fascination, but in the end, it was a submersible robot – not a treasure-hunter – that found it.
Researchers first detected the ship on sonar and used a remote submersible, dubbed the REMUS 6000, to investigate it further.
The REMUS 6000 captured a slew of images showing the San Jose to be mostly buried in sediment, at a spot some 600 meters below the surface.
Researchers say they knew it was the San Jose when they saw photos of its distinctive bronze cannons, which are engraved with dolphin designs.
“With the camera images from the lower altitude missions, we were able to see new details in the wreckage and the resolution was good enough to make out the decorative carving on the cannons,” expedition leader Mike Purcell, a WHOI engineer, said in a news release. “MAC’s lead archaeologist, Roger Dooley, interpreted the images and confirmed that San Jose had finally been found.”
Bronze cannons discovered the Remus 6000 at the bottom Caribbean Sea
The exact location of the wreck remains a Colombian state secret.
Colombia says it will set up a museum to display artifacts from the wreck. However, don’t expect to see a pile of sunken treasure in that museum anytime soon.
The fate of San Jose’s treasure remains unclear, as there have been several lawsuits in recent decades over who has a claim to it.
Every piece of that treasure will remain on the seafloor, at least until the legal battle is won.
Ice Age Graveyard Discovered Containing 22 Giant Sloths Preserved In Their Own Feces
A surprising find was made in Ecuador by paleontologists – a group of giant Ice Age sloths.
The 22 sloths of elephants, from the ice age, were found as fossilized. Paleontologists made the grand discovery preserved in asphalt during a dig at the Tanque Loma site in the Santa Elena peninsula, western Ecuador.
The fossils of the Panamerican ground sloths, known as Eremotherium laurillardi, were spotted during this dig.
Paleontologists excavating the site reported stumbled-upon bones belonging to 15 adults, five juveniles, and two newborns or foetuses of the mammoth creatures.
Experts believe these creatures roamed the Earth in modern-day Ecuador some 20,000 years ago.
Elephant-like in size, the sloths may have weighed several tonnes. The ancient animals also boasted the impressive ability to walk on two legs. This is unlike their current incarnations who walk the Earth today.
Experts unearth fossilised remains of 22 elephant-sized sloths
Elephant-like in size, the sloths may have weighed several tonnes
Palaeontologist Jose Luis Roman-Carrion of the National Polytechnic University in Ecuador said: “The Tanque Loma site presents a rare accumulation of fossils that provides very relevant data.
“We now know that the Eremotherium lived in groups and had parental behaviour.”
The fossils were likely so well preserved because they had been coated in seeping asphalt. The mammoth sloths were discovered alongside an ancient horse, a deer, an armadillo-like pampathere, and an elephant-like gomphothere.
Experts remain unable to determine the exact cause of death simply by looking at the fossilized bones. However, researchers believe the deaths may have resulted from drought or illness caused by drinking water contaminated with their own faeces.
A lifesize depiction of mammoths stuck in tar is on display at the La Brea Tar Pits in Los Angeles.
The University of California, Los Angeles palaeontologist Dr Emily Lindsey, led the study of the sloth fossils.
Dr. Lindsey explained to Gizmodo: “For years, everyone has thought of the classic scenario at the La Brea Tar Pits, where a large herbivore would get stuck in asphalt, then a bunch of carnivores would be attracted to the trapped animal and get stuck.
“Nothing got stuck at Tanque Loma! The animals died in an aquatic setting like many other fossil sites, and the bones just fortuitously got preserved by seeping asphalt.”
The news arrives almost exactly two years after a similarly amazing ancient sloth discovery. A fossilised human footprint was found nestled inside a giant sloth footprint in April 2018.
Experts now believe the series of surprisingly well-preserved set of tracks describe the story of an ancient sloth hunt.
This was because inside the outline of the sloth’s 20-inch-long foot was a human footprint. There were at least 10 of these tracks, all lined-up in a row.
Professor Matthew Bennett of Bournemouth University said in a statement: “It slowly dawned on me what was happening.
“Thousands of years ago, a ground sloth had walked along with this site, and a person had followed it, carefully matching its every step.
The remains of a giant sloth depicted climbing a tree at the Natural History Museum in London.
Mysterious Giant Stone Sculpture of Aramu muru north of Chucuito Peru
Many people here only see an unfinished work by ancient masons. Nevertheless, other local legends tell something else — Aramu Muru is called a gateway to a realm of spirit.
It is unclear when and who made Aramu Muru – but presumably before the Incas. No archaeological research has been done here.
This massive stone gateway is located in the uncommon location of Hayu Marca Stone Forest (‘the city of the Goods’), on the banks of Lake Titicaca. Giant crests of red granite rise from the dry soil of Altiplano here. Erosion processes have formed natural bridges, weird grottoes, and natural sculptures. Often it is hard to tell whether some weird shapes have been formed by nature or by humans.
Mysterious giant stone sculpture of Aramu Muru, north of Chucuito, Peru
Aramu Muru is cut in the side of one such granite crest. This portal is 7 m high and 7 m wide, with a “T” shaped alcove in the bottom middle. The surface of the portal is polished. Alcove is some 2 m high – one man can fit into it. In the center of the alcove is a smaller depression.
On the other side of the cliff in earlier times was located a tunnel, which is blocked now with stones to prevent mishaps with children. Some believe that this tunnel was going to Tiahuanaco.
Similar Monuments
It seems – there are no similar landmarks in the Americas. Often there is noted that Aramu Muru is similar to the Sun Gate in the nearby Tiwanaku – but Wondermondo does not see many similarities.
Gate of the Sun
Aramu Muru has some principal similarities to the unfinished rock-cut architecture in India. Son Bhandar Caves (Bihar) have an unfinished portal inside the rock-cut cave. Local legends there tell about incredible riches inside.
Son Bhandar Caves, India.
Local tourist guide Jose Luis Delgado Mamani had unusual dreams in the 1990s. He saw a weird, red mountain with a gate cut in it. The door of this portal was open and blue, shimmering light was shining out of it.
Mamani was surprised to find mountains similar to the ones in his dream. He asked the local old men whether there are some gates cut in these cliffs – and, yes, they confirmed – there is a gate. Some tried to dissuade Mamani from going there – “this is the true gate to the hell”.
When Mamani reached the gate, he almost passed out from excitement – this was the site that he saw in his dreams. This story made into local newspapers and somewhat later – into the international press. The old, exotic story about Aramu Muru became popular again.
Legend about Aramu Maru
According to a local legend (maybe – a bit embellished by some contemporary mystics), this gate leads to the spirit world or even – to the world of gods.
Portal for the Immortals
The portal was made in the distant past. In those times the great heroes could pass the portal and join the pantheon of gods. Sometimes though these gods return to the land through these gates “to inspect all the lands in the kingdom”.
Golden Discs
Legends tell that the gate was open for a while in the 16th century. Back then Spanish Conquistadors were looting the immense treasures in Cusco city and slaughtering local people.
In the most important Inca temple – in Coricancha temple (now the Church of Santo Domingo stands there) – were located especially valuable relics – the golden discs.
According to the legend, these discs were given by gods to Inca. Discs had powerful healing abilities. Two of these discs were seized by Spaniards, but the third one – the largest – disappeared without a trace.
Escape from Cusco to… The Otherworld
A priest of Coricancha temple – Aramu Muru – managed to escape from the deadly havoc in Cusco. He took the large golden disc with him.
Aramu Muru reached the Hayu Marca hills and hid there for a while. He stumbled on Inca priests – guardians of the portal and when the guardians saw the golden disc, there was arranged a special ritual at the gate.
This secret ritual opened the giant portal and blue light was shining from it. Aramu Muru entered the portal and has never been seen again. The gate got his name.
