66-Million-Year-Old Dinosaur Skin Impression Discovered In Spain

66-Million-Year-Old Dinosaur Skin Impression Discovered In Spain

In Spain, detailed skin impressions of a giant dinosaur discovered 66 million years ago in a muddy riverbank have been discovered. The fossil was created over centuries by sand petrifying into sedimentary rock, and it clearly shows the pattern of massive scales that once lined the creature’s hide.

66-Million-Year-Old Dinosaur Skin Impression Discovered In Spain
Detailed skin impressions of a massive dinosaur that rested in a muddy river bank some 66 million years ago have been uncovered in Spain. The fossil was formed by sand petrifying into sedimentary rock over millennia and distinctively shows the pattern of large scales that once lined the creatures hide

The prints are thought to have been left by a titanosaur that lived during the Late Cretaceous period, just before dinosaurs went extinct.

‘This is the only registry of dinosaur skin from this period in all of Europe, and it corresponds to one of the most recent specimens, closer to the extinction event, in all of the world,’ said lead researcher Victor Fodevilla, from the Autonomous University of Barcelona.

‘There are very few samples of fossilized skin registered, and the only sites with similar characteristics can be found in the United States and Asia.’

Instead, the team envisions the creature that made the impressions with a huge four-footed sauropod, possibly a titanosaurus – one of the biggest animals ever to walk the Earth.

And researchers found footprints near the site that support the titanosaur theory.

‘The fossil probably belongs to a large herbivore sauropod, maybe a titanosaur, since we discovered footprints from the same species very close to the rock with the skin fossil,’ said Fodevilla.

A titanosaur, a silhouette representing the size of a hatchling titanosaur, relationship to a human at birth, tiny titanosaur babies weigh about as much as average human babies, 6 to 8 pounds. But in just a few weeks, they’re shedding the tiny descriptor and are at least the size of golden retrievers, weighing 70 pounds, knee-high to a person. And by age 20 or so, they’re bigger than school buses

The discovery was made in the village of Vallcebre, near Barcelona, in an area that was once the bank of an ancient river. It is thought the dinosaur left an imprint of its scales when it laid down in the mud to rest. Over time, the region where the animal left its prints was eventually covered with sand.

And over the course of thousands of years, the area petrified to form sandstone, preserving the astonishing impressions recently discovered by the researchers. 

Since the sand acted as a mold, what is seen on the rock is a relief of the animal’s original skin. 

How the process happened is unique, as the Late Cretaceous period corresponds to the moment shortly before dinosaurs became extinct, there are few places on Earth containing sandstone from this period.

Characterizing these dinosaurs is very important in order to understand how and why they disappeared. 

Two skin impressions were found, one about 20 centimeters across and the other five centimeters, separated by a distance of 1.5 meters.

And experts believe they were made by the same animal.

The ‘rose’ pattern of the scales is characteristic of certain dinosaurs, said the researchers, who describe their find in the journal Geological Magazine.  

‘The fact that they are impression fossils is evidence that the animal is from the sedimentary rock period, one of the last dinosaurs to live on the planet,’ said Fondevilla.

‘When bones are discovered, dating is more complicated because they could have moved from the original sediment during all these millions of years.’ 

This discovery also verifies the excellent fossil registry of the Pyrenees in terms of dinosaurs living in Europe shortly before they became extinct. 

‘The sites in Berguedà, Pallars Jussà, Alt Urgell and La Noguera, in Catalonia, have provided proof of five different groups of: titanosaurs, ankylosaurids, theropods, hadrosaurs and rhabdodontids,’ said Àngel Galobart, head of the Mesozoic research group at the ICP and director of the Museum of Conca Dellà in Isona. 

‘The sites in the Pyrenees are very relevant from a scientific point of view, since they allow us to study the cause of their extinction in a geographic point far away from the impact of the meteorite.’ 

2,000-Year-Old Celtic Dice Discovered In Poland

2,000-Year-Old Celtic Dice Discovered In Poland

Archaeologists have been excavating at the Celtic settlement in Samborowice (Silesia) for a significant number of years. This year, a number of intriguing finds were made, and one of the most special ones is a 2,000-year-old dice that is the oldest one found so far in Poland.

2,000-Year-Old Celtic Dice Discovered In Poland
2,000-year-old Celtic dice unearthed in Poland. Dice.

The artifact is a cuboid made of bone or antler. According to Jacek Soida, archaeologist and curator of the Archaeology Department of the Silesian Museum, due to the low probability of rolling the dice so that it lands on either of its two smaller sides, the longer sides were usually marked with higher values (3, 5, 4 and 6).

‘However, there were exceptions to this rule, and in the case of the Samborowice dice, these sides were marked only with the two highest values: 5 and 6. We are not sure whether it was a forgery or the item was used for a game unknown to us today,’ he says.

Similar dice are known primarily from the so-called central settlements in Lower Austria, Bohemia, and Moravia.

“In smaller settlements, like the one in Samborowice, they are rarely discovered. But it is not the first example of a gaming item found in this settlement. A few years ago, we discovered ceramic tokens that were probably used for playing games,” Soida told PAP.

Celts once lived in a few regions of today’s southern Poland, including the Glubczyce plateau near Racibórz (in the southwestern part of the Silesian Voivodeship). They were present there from the turn of the 4th century to the end of the 2nd century BCE.

Soida points out that the work in the Celtic settlement in Samborowice is the only research of this type regularly conducted. ‘

“That is why every year it attracts numerous volunteers from all over Poland and often from other countries such as Czechia, the United States, and the Netherlands.

Celtic culture enthusiasts, who are not always archaeologists but also include lawyers, geologists, artists or employees of large corporations, are not afraid of hard work, and they help explore the settlement with great commitment. And this year, the weather conditions – drought and over thirty-degree heat – were very demanding,” the researcher says.

Another discovery made at the site is a well-preserved iron fibula, a type of decorative clasp for fastening robes. ‘

“Fragments of brooches are often discovered in settlements, but very rarely in such good condition, which makes this find unique. Iron objects that rest on the ground undergo significant destruction over the years due to corrosion. In this case, the brooch fell into the fire in the past, where, as a result of the high temperature, a layer of scale was formed on its surface, protecting the object against harmful corrosion.

Of course, we still need to remove layers of mineral sinters in several places, but there is certainly intact metal underneath”, the archaeologist says.

Field work in Samborowice (Silesia).

Moreover, during this year’s fieldwork, archaeologists discovered two more relics of buildings that were originally dug into the ground (so-called semi-dugouts).

“In such buildings, the Celts conducted various types of craft work, such as weaving, iron and non-ferrous metallurgy, horn-making, and pottery. Discoveries from previous years prove this”, recalls Soida.

Every year, discoveries bring archaeologists more and more answers about the life of the Celts in the area. In recent years, archaeologists found a weaving workshop and relics of a pottery kiln.

“Every discovery, even the smallest animal bone remains or ceramic jewelry fragments, is important to us because collecting all the details allows us to create a complete picture of this community. We hope for further discoveries in the coming years, including relics of further farm buildings,” Soida says.

Archaeologists examine the collected artifacts, and their work is summarized in publications in scientific journals. In the future, the researchers would also like to organize an exhibition.

Remarkably Well-Preserved 2,000-Year-Old ‘Tomb Of Cerberus’ With Amazing Frescoes Discovered In Italy

Remarkably Well-Preserved 2,000-Year-Old ‘Tomb Of Cerberus’ With Amazing Frescoes Discovered In Italy

Archaeologists in Italy could hardly believe their eyes when they opened a mysterious ancient chamber tomb in the municipality of Giugliano in Campania, near Naples.

Remarkably Well-Preserved 2,000-Year-Old ‘Tomb Of Cerberus’ With Amazing Frescoes Discovered In Italy
An exterior shot of the recently-discovered chamber tomb near Naples.

The tomb was sealed with a tuff slab, a light, porous rock created out of volcanic ash and other sediments.

Scientists say the chamber, dating back approximately 2,000 years to the Republican and Imperial Roman ages, was discovered after archaeologists spotted a wall that had been built using an ancient Roman construction technique known as opus incertum.

Inside the remarkably well-preserved chamber tomb, scientists marveled at the amazing frescoes adorning its walls.

“The tomb has frescoed ceilings and walls in perfect condition, with mythological scenes that go all around the room and figurative representations among which, a three-headed dog stands out,” said Mariano Nuzzo, the superintendent of Archaeology, Fine Arts and Landscape for the Naples metropolitan area.

Among the most notable mythological figures depicted are ichthyocentaurs – a centaurine-type sea god with the upper body of a human and the lower anterior half and fore-legs of a horse and the tail of a fish. Credit: Superintendent of Archaeology, Fine Arts and Landscape

“Three painted klìnai , an altar with vessels for libations, the deceased still placed on the funeral beds with rich objects – complete the picture of a discovery which, in this area, is unprecedented.”

The frescoes depicted Cerberus, a famous monster in Greek mythology. Often described as a  giant three-headed dog, Cerberus guards the gates of the Greek underworld, ensuring that no one escapes from the realm of Hades, the god of the dead and the king of the underworld.

The tomb has led to it being aptly dubbed the “Tomb of Cerberus.”

A recently-discovered frescoe depicting the ancient Greek creature Cerberus.

“The depicted scene portrays the culmination of Heracles’ twelve labours, during which he successfully captured Cerberus.

The tomb also contains depictions of mythological scenes featuring ichthyocentaurs, beings with the upper bodies of humans, the forelegs and lower anterior halves of horses, and fish-like tails,” Euro News reports.

“The excitement was enormous—the screams, the hugs, us, the workers—finding something like this doesn’t happen every day,” archaeologist Valentina Russo, who was present during the discovery, said.

“The emotion aroused by the privilege of such a discovery is indescribable.

The territory of Giugliano, after years of oblivion, is finally returning significant vestiges of its glorious past to be preserved and protected, thanks to a common effort,” Nuzzo added.

Full excavation of the chamber tomb is currently in progress, and archaeologists intend to explore the broader necropolis surrounding the tomb, too.

Extremely Rare Medieval Folding Chair Reveals Its Secrets

Extremely Rare Medieval Folding Chair Reveals Its Secrets

In 2022, archaeologists made a very unusual find. A medieval folding chair was discovered in a woman’s grave in Steinsfeld, in Central Franconia, in the Ansbach district of Germany.

Examinations of the woman’s skeleton showed she was around 40 to 50 when she died. The dead woman had a necklace of colored glass beads around her neck.

A rarity: this iron folding chair was found during an excavation in Steinsfeld, Bavaria.
Extremely Rare Medieval Folding Chair Reveals Its Secrets

At the time of the discovery, the Bavarian State Office for the Preservation of Monuments was only the second to discover an iron folding chair from the early Middle Ages in Germany.

Across Europe, 29 sites of early medieval graves with folding chairs have been handed down, only six of which are made of iron.

According to the state office, it dates from around 600 AD, i.e., from the early Middle Ages. When folded, the chair, which was about 70 by 45 centimeters in size, had been placed at the feet of the dead.

In a recent press statement, scientists announced the remarkable 1,400-year-old folding chair’s secrets would be revealed to the public.

Experts have worked for almost a year with the medieval chair. In the summer of 2023, scientists decided to excavate the medieval chair and restore and preserve it for future generations.

It was a delicate and time-consuming task. The results of these efforts are a success and give the public an excellent opportunity to investigate this unusual medieval object in more detail.

One computer tomographic examination quickly made it clear that the folding chair was almost completely preserved and was even decorated with inlays—in this case, brass non-ferrous metal inlays.

According to scientists, the folding chair is made up of two frames connected with an axle pin. There are two narrow slots in the horizontal struts. These were used to attach the seat, which was probably made of animal fur, as indicated by mineralized organic remains. The decorative motifs range from spirals to diamond herringbone patterns.

“The extremely rare find of an early Medieval iron folding chair in August 2022 was already a sensation, but after remaining in the ground for over 1,400 years, receiving such a density of details was a surprise even for the BLfD experts.

Using the latest technology and highly experienced scientific support, the spectacular, internationally acclaimed find of the century could literally be done again be put on its feet, “Professor Mathias Pfeil, head of the Bavarian State Office for Monument Preservation, said.

“This find, which at first glance seems so modern, is an absolute rarity and of the greatest cultural-historical interest because it gives an insight into the burial equipment of prominent sections of the population and into the early use of furniture,” Professor Pfeil added.

People have been making iron and bronze folding chairs since ancient times. They were considered essential official signs and symbolized power, authority, and dignity.

Traces of Colorful Paint Detected on Parthenon Sculptures

Traces of Colorful Paint Detected on Parthenon Sculptures

This section from the Parthenon Marbles is now white, but it was painted when it was first crafted in the fifth century B.C.

The Parthenon Sculptures, also called the Elgin Marbles, were crafted by ancient Greeks 2,500 years ago to decorate the outside of the Parthenon temple in Athens. Now housed at the British Museum in London, they, like many old sculptures, are a muted mix of white, gray, and beige. 

But a new study reveals that the famous sculptures’ hues weren’t always so drab — in fact, they were once painted with vibrantly colored and intricate patterns.

Bright Egyptian blues, whites and purples once covered the statues depicting deities and mythical creatures guarding the fifth-century-B.C. temple.

The colors were used to represent the water that some figures rose from, the snakeskin of a mysterious sea serpent, the empty space and air in the background behind the statues, and figurative patterns on the robes of the gods, the researchers wrote in the study, which was published Wednesday (Oct. 11) in the journal Antiquity. 

“The Parthenon sculptures at the British Museum are considered one of the pinnacles of ancient art and have been studied for centuries now by a variety of scholars,” study lead author Giovanni Verri, a conservation scientist at the Art Institute of Chicago, said in a statement. “Despite this, no traces of colour have ever been found and little is known about how they were carved.”

As paint often doesn’t last long on marble and the sculptures’ surfaces weren’t prepared to enable adhesion from substances like paint, archaeologists long assumed that ancient Greek artists intentionally left the statues white. This even led historical restorations to remove past traces of paint found on the sculptures, the researchers said.

To investigate the statues’ past, archaeologists used luminescent imaging, a technique that causes trace chemical elements from hidden paint on the sculptures’ surfaces to glow. The team quickly discovered hidden patterns emerging on the statues’ surfaces, revealing floral designs and smudged figurative depictions.

Four pigments were primarily found: a blue that was first created by the Egyptians and was the main color used by ancient Greeks and Romans, a purple tint made according to an unknown recipe (most purple was made with shellfish from the ancient Mediterranean, but this one wasn’t), and two whites likely derived from the mineral gypsum and bone white, a pigment made from bone ash.

It’s likely that these colors were “as visually important as the carving,” the researchers wrote in the study, as “it was what the viewer saw.”

“The elegant and elaborate garments were possibly intended to represent the power and might of the Olympian gods, as well as the wealth and reach of Athens and the Athenians, who commissioned the temple,” Verri said.

The researchers found traces of paint on the backs of the sculptures, meaning they were “certainly contemporary to the building” and likely were painted first and then placed on the temple.

The 17 sculptures, once part of a 525-foot-long (160 meters) marble frieze depicting classical Greek myths, were brought to the U.K. in the 19th century after being ripped from the walls of the Parthenon by Thomas Bruce, the seventh Earl of Elgin and Britain’s ambassador to the Ottoman Empire. His involvement initially gave the sculptures their “Elgin Marbles” nickname.

Bruce sold the statues, which constituted roughly half of the surviving sculptures, to the British government in 1816. Now kept in the British Museum, the sculptures have been the subject of a formal repatriation controversy between the U.K. and Greece since 1983.

As the marbles are primarily fragments, the story they tell isn’t completely clear. But they include sculptures of gods reacting to the birth of Athena, who is said to have burst from Zeus’ swollen head after a mighty blow from the axe of Hephaestus, the Greek god of blacksmiths.

5,000-Year-Old Wine Jars Unearthed at Abydos

5,000-Year-Old Wine Jars Unearthed at Abydos

Archaeologists in Egypt have uncovered hundreds of 5,000-year-old wine jars—some of which are still intact and contain traces of ancient wine—in the tomb of Meret-Neith, a princess, a queen, a royal mother, and a regent who was undoubtedly one of the most enigmatic and most charismatic characters of the First Dynasty of ancient Egypt.

5,000-Year-Old Wine Jars Unearthed at Abydos
The 5,000-year-old wine jars at Abydos, Egypt.

Meret-Neith, ‘the One for whom Neith feels merout, love,’ ‘the One who is beloved by Neith’, was one of the most influential women at the royal court during the First Egyptian Dynasty around 3000 BCE.

Based on the archaeological and inscriptional sources, scholars have suggested that she may have been a daughter of Djer (third pharaoh of the First Dynasty), chief wife of Wadj (fourth pharaoh of the First Dynasty), and mother of Den.

But Meret-Neith was not only a woman of royal descent — thereby simply securing the continuity of the royal blood line — but rather, her influence went even further. She was the only woman to receive her own proper tomb in the royal ancestral cemetery at Abydos.

Since her tomb’s discovery by British Egyptologist Sir Flinders Petrie in 1899-1900, the historical significance of Meret-Neith has been a matter of debate.

Opinions range in scope from her having been a regent queen in charge of government until her young son and heir to the throne had come of age to being a fully-fledged ruler in her own right.

This debate remains unsettled, which is mainly due to the scarcity of the inscriptional evidence, as well as the many questions still surrounding her precise lineage and political significance at the time.

Although the royal necropolis at Umm el-Qaab, Abydos, has been under intensive investigation by the German Archaeological Institute since 1978, Meret-Neith’s tomb, her reign and her persona as one of the most important historical women during the formation of the early Pharaonic state have never received due attention.

“Queen Meret-Neith was probably the most powerful woman of her time,” said University of Vienna archaeologist Christiana Köhler and her colleagues from Austria and Germany.

“Today’s researchers speculate that she may have been the first female pharaoh in ancient Egypt and thus the predecessor of the later Queen Hatshepsut from the 18th dynasty. Her true identity remains a mystery.”

“We recently began archaeological excavations in the tomb of Meret-Neith at Abydos and discovered significant new information about this important historical woman.”

The excellently-preserved grape seeds are found in sealed wine jars at Abydos, Egypt.

Among the huge amount of goods unearthed by the archaeologists were hundreds of large wine jars.

Many of the jars were in a good state of preservation and contained organic residue that they interpreted as the remains of ancient wine.

“Some of the jars were very well preserved and even still sealed in their original state,” the researchers said.

“In addition, inscriptions testify that Queen Meret-Neith was responsible for central government offices such as the treasury, which supports the idea of her special historical significance.”

“Meret-Neith’s monumental tomb complex in the Abydos desert, which includes the tombs of 41 courtiers and servants in addition to her own burial chamber, was built of unbaked mud bricks, clay and wood,” they said.

“Thanks to careful excavation methods and various new archaeological technologies, we were able to show that the tombs were built in several construction phases and over a relatively long period of time.”

Long Lost Temple Unearthed in the Mexican City of Atlixco

Long-Lost Temple Unearthed in the Mexican City of Atlixco

Archaeologists have found the remains of an ancient Mexican temple that was thought to be little more than a legend.

The chapel of San Miguel sits atop the hill of the same name, but this Catholic structure actually hides the remnants of a far older, legendary temple.

Within the city of Atlixco in central Mexico, there has long been a rumor of a lost temple, or teocalli, that was built centuries before the Spanish arrived in the early 16th century.

According to the local people, the Atlixquenses, the temple was originally constructed on top of the San Miguel Hill where there is currently a Catholic chapel dedicated to the archangel Michael.

Despite these rumors, no archaeological evidence for this legendary temple had ever been found.

However, recent work carried out by the Ministry of Culture of the Government of Mexico through the National Institute of Anthropology and History (INAH) has discovered vestiges that confirm its existence.

The first evidence that led to this discovery appeared during efforts to renew the chapel’s lighting and to reinforce the paths leading up the hill. A team of researchers, coordinated by INAH archaeologists Miguel Medina Jaen and Carlos Cedillo Ortego, along with Elvia Cristina Sánchez de la Barquera, found artifacts – stone tools, ornaments, and clay vessels – that were over 1,000 years old.

These objects were created by the Mesoamerican Nahua, who lived in this region centuries before Europeans arrived.

The team carried out survey work inside and around the chapel’s atrium and found the remains of stone walls and floors that had belonged to an ancient temple that pre-dates the current structure. These remnants are buried around 90 centimeters (35 inches) below the foundations of the existing chapel.

This, according to a statement released by the INAH, sufficiently affirms that “a teocalli did exist on the summit of the hill, San Miguel, and that it had at least two construction stages.”

At present, it is not clear which divinity the temple was dedicated to. Among those who may have been the focus of attention were the deities Quetzalcóatl (creator and civilizer of humanity), Tláloc (giver of rain), or Macuilxóchitl (a patron of play, dance, and festivities).

However, more research is needed before any valid conclusions can be drawn. Other “segments of the teocalli and greater clues to clarify which was its titular deity still lie under the viceregal chapel of San Miguel Arcángel,” the statement adds.

“Even with this aura of mystery, the archaeological confirmation of that ancient popular belief of more than 400 years will help strengthen the identity of the Atlixquenses.”

The Nymph of Tusculum: A beautiful statue linked to an ancient god of wine discovered in Rome

The Nymph of Tusculum: A beautiful statue linked to an ancient god of wine discovered in Rome

In the picturesque Italian town of Frascati, once known as Tusculum, archaeologists made a discovery that captured the imagination of historians, archaeologists, and the world at large.

A team from the Spanish School of History and Archaeology in Rome (EEHAR-CSIC) has unearthed a remarkable marble statue dating back nearly 2,000 years, offering tantalizing clues about the city’s rich past.

As part of the architectural ensemble of a thermal complex, an enigmatic statue of a headless and armless female figure has been discovered.

The Nymph of Tusculum: A beautiful statue linked to an ancient god of wine discovered in Rome

Founded in the 10th century BC, Tusculum was one of the most important cities of the Latin League.

The Latin League was an ancient confederation that opposed the expansionism of Rome. Needless to say, they didn’t do so well and were defeated in the famous battle of Lake Regillo in 496 BC.

Tusculum lies on the outskirts of today’s Rome, and it is also a mythical city.

According to legend, the city was founded by the son of Ulysses, Telegonus, 20 years after the destruction of Troy. The city, now called Frascati, is an impressive archaeological site where researchers unearthed impressive findings, such as a thermal complex from the Hadrianic period (2nd century AD).

Now, a team from the Spanish School of History and Archaeology in Rome has found an “exceptional” marble statue that dates to around 2,000 years ago.

“At the time of the discovery, only part of the statue’s back was visible and it was lying on a thin layer of painted stucco, so it would have formed part of the ornamental programme of the baths,” says Antonio Pizzo, director of the EEHAR-CSIC, the institution that has been carrying out the excavations at the archaeological site

A life-size nymph

The statue represents a life-size human figure of a woman but has no head or arms. It probably belonged to the westernmost architectural decoration of the previously found Hadrian Baths, the researchers believe.

The sculpture is probably a representation of a nymph from Greek mythology—a lesser female deity symbolizing nature.

The city of Tusculum.

Nymphs, such as other goddesses (excluding the Hamadryads), are known for being immortal. They were classified into distinct subgroups, such as the Meliae linked to ash trees, Dryads associated with oak trees, Naiads residing in freshwater environments, Nereids inhabiting the seas, and Oreads dwelling in mountainous areas.

Researchers also believe that there’s a connection between the statue and the cult of the god Dionysus, the god of wine, called Bacchus by the Romans.

Dionysus is a fascinating figure in ancient Greco-Roman mythology, often associated with wine, fertility, and revelry. He is the god of the vine, grape harvest, winemaking, and theater. His cult was known for ecstatic rites such as the famous Bacchanalia, which often involved music, dancing, and the consumption of wine.

Certain distinct features of the statue suggest a link to Dyonisus. In particular, a key sign is the representation of a fawn skin on the statue, resembling the attire worn by the followers of the cult dedicated to Dionysus.

“Some characteristic elements, such as the fawn skin covering her shoulders, allow us to hypothesize that this is a figure that can be traced back to a Dionysian context, chronologically dated between the middle of the 1st century BC and the middle of the 1st century AD,” Pizzo, director of the EEHAR-CSIC, said in a news release.

No doubt, despite all the wonderous archaeology uncovered in and around Rome, there’s still plenty left to discover.

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