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Anunnaki Metropolis More Than 200 Thousand Years Old Was Discovered In Africa And Rewrites History

Anunnaki Metropolis More Than 200 Thousand Years Old Was Discovered In Africa And Rewrites History

The Great Pyramid of Giza, which is just 5000 years old, is believed to be one of the world’s oldest structures. The megalithic temples in Malta, carbon-dated to 3500 BCE, are said to be the world’s oldest structures.

Right up until now, these were known as the first advanced civilizations. Michael Tellinger and Johan Heine have discovered a sight in Mozambique’s Maputo that dates back 200,000 years.

The site is thought to be part of an ancient city that spans 10,000 kms. It has roads joining complex circular structures with agricultural areas which indicate that it belonged to a highly advanced civilization.

They were always there, people noticed them before, but no one could remember who made them and why. Until recently, no one knew how many there were, now they are everywhere, there are thousands of them; no, hundreds of thousands! 

Michael Tellinger said:

When Johan introduced me to ancient stone ruins in southern Africa, I had no idea about the incredible discoveries made in a year or two, the photographs, artifacts, and evidence that no doubt accumulated by a lost and never seen civilization that predated all others, not for several hundred years, not for several thousand years, for many thousands of years. And these discoveries are so amazing that they are not easily digested by the current historical fraternity. It will require a complete paradigm shift in how we view our human history.

The Anunnaki metropolitan area is important due to the amazing amount of gold deposits

In the words of Michael Tellinger:

Thousands of ancient gold mines discovered over the past 500 years point to a lost civilization that has lived and mined gold in this part of the world for thousands of years. And if this is indeed the cradle of humanity, perhaps we are observing the activities of the oldest civilization on Earth.

This place is about 150 km from a superb port where sea trade could help support such a large population, but remember that we are talking about a metropolis almost 200,000 years ago. Some ruins of the metropolis, mostly stone circles, were buried in the sand and are visible only from a satellite or from an airplane. Some have been eroded by sand melting, exposing walls and foundations.

Coordinates of the metropolis on Google maps

When explorers first encountered these ruins, it was assumed that they were built by nomadic tribes such as the Bantu people as they moved south and populated the land throughout the 13th century. 

In early history, there was no record of any civilization capable of building a larger, populous community. Little effort was made to explore the site because the size of the ruins was not fully known.

Over the past 20 years, people like Kirill Gromnik, Richard Wade, Johan Heine, and others have discovered that these stone structures are not what they seem. In fact, it is now believed that the age of the ruins of ancient temples and astronomical observatories of a vanished ancient civilization is hundreds of thousands of years.

The circular ruins stretch over a huge area and can only be truly appreciated from the air or with the help of modern satellite imagery. Many of them are almost completely destroyed or covered with soil due to agriculture and climate change. Some of them have survived quite well, demonstrating large dimensions: the original walls in some places reach almost 1.5 meters in height and more than a meter in width.

Ruins of the Anunnaki metropolis

As for the entire city, or metropolis, it is obvious that it was a well-planned community, created by a highly developed civilization. The number of ancient gold mines suggests why the community chose this site. 

Roads have been found, some of which stretch for hundreds of kilometers, connecting settlements and terraced agriculture, very similar to those found in Inca settlements in Peru. But the answer to the question has not been found: how could this have been achieved by humans 200,000 years ago?

When science is silent

The explanation for this mystery can still be found, however, not among the official scientific postulates, but among others. The theory of ancient astronauts, Zecharia Sitchin, which speaks of the Anunnaki and their “mining work” on Earth, points to a possible explanation for this ancient metropolis. 

This is Sitchin’s theory, which speaks of time and civilization that existed on Earth long before all officially recognized ones, such as Egyptian, Sumerian, and so on. According to the generally accepted version of human history, the first civilization on Earth was the Sumerian, which appeared in southern Mesopotamia in 5000 BC. 

According to Sitchin’s theory of ancient astronauts, the history of the Earth begins with the arrival of the Anunnaki on our planet, approximately 450,000 BC. 

Zecharia also claims that the Anunnaki came to Earth in search of gold, which they needed to “restore” the atmosphere on their home planet – Nibiru. Long and difficult wars on Nibiru damaged the atmosphere, which began to threaten their lives.

The Mythical Peruvian Giants, Whose Skeletons Were Seen By Conquistadors

The Mythical Peruvian Giants, Whose Skeletons Were Seen By Conquistadors

There is one special area on our planet where there are especially many stories and legends about people of very large stature. Moreover, these stories are not thousands of years old, but only a few hundred.

Stories about the Peruvian giants have been known since the 16th century when the first Spanish conquistadors reached this region.

One of the earliest reports of the Peruvian giants is the story of conquistador Pedro Cieza de Leon, described in the folio Royal Inca Commentaries, Volume 1. This man apparently did not see the giants with his own eyes but talked with those who saw them.

In his report, he described that once people of great growth sailed on their large rafts from reeds to the shore where the village of local Indians stood. The village was located on the peninsula of Santa Elena, which is now the territory of Ecuador.

The giants landed from the rafts on the peninsula and set up their camp near the conquistadors. They apparently decided to settle here for a long time, because immediately they began to dig deep wells in order to extract water from them.

“Some of them were so tall that a man of ordinary size would barely reach their knees. Their limbs were proportional to the body, but their huge heads with hair to their shoulders were monstrous. Their eyes were huge like plates and their faces had no beards.

Some of them were dressed in animal skins, but some were in their natural state (without clothes). Not a single woman was visible among them. When they set up the camp, they began to dig deep wells for water. They dug them in stony soil and then built strong stone wells. The water in them was excellent, always cool, and tasted good. “

As soon as the giants set up their camp, they immediately made a bloodthirsty raid on the village of local Indians. According to the description of de Leon, they robbed everything they could grab and ate everything they could eat, including people!

It was a terrible sight when these huge people hung over the trees and the Indians fleeing from them, who practically could not defend themselves from them. Then, on the site of the devastated village, the giants built their large huts and stayed here to fish and hunt in the local forests.

This story ended with a completely surreal story when a “shining angel” appeared in the sky and drove all these giants away.

Despite this, de Leon himself believed that this story was completely true and described that he personally saw the huge stone wells constructed by the giants. He also writes that other conquistadors saw the wells and the remains of huge houses that could not be built by local Indians.

Further, de Leon writes about even more curious things. He writes that the conquistadors found in this area human bones of very large sizes, as well as pieces of teeth that were large and heavy.

“In 1550, in the city of Lima, I heard that when His Excellency Don Antonio de Mendoza, the viceroy and governor of New Spain was here, some bones were found of people who were huge and could belong to giants.

I also heard that whole deposits of giants’ bones were found in an ancient tomb in the city of Mexico City or nearby. Since many locals claim to have seen them firsthand, we can assume that these giants really exist and can belong to a single race. “

Another proof of the existence of the Peruvian giants can be found in the records of Captain Juan Olmos, who in 1543 dug up ancient burials in the Trujillo Valley and allegedly discovered bones of people of very large stature there.

Later, another giant skeleton was found in the province of Tucuman by conquistador Augustine de Zarate and his people. In general, similar stories came from the Spaniards who visited Peru throughout the 16th century and continued to appear in the 17th century.

In 1620, the Jesuit priest and missionary Pablo Jose Arriaga in his manuscript “On the Eradication of Idolatry in Peru” wrote the following:

“They (representatives of the Spanish inspectors) led us to the other side of the village, where there was a very large cave and the remains of Giants lay in it. Among them were three giant bodies with deformed heads (elongated skulls) wrapped in combi (ceremonial fabric).

These giants were considered the ancestors of all these people in the village who worshiped and worshiped them, even sacrifices were made in their honor. Then they (Spaniards) burned all these bodies.”

In the 18th and 19th centuries, stories about Peruvian giants also appeared, but they were becoming smaller and they were already perceived as myths and legends, and not something real.

Monastery, 1500-year-old mosaic unearthed in Turkey

Monastery, 1500-year-old mosaic unearthed in Turkey

During an illegal excavation project carried out by two suspects in the Aliağa district of Turkey’s western Izmir province, a monastery built in the Roman period and a nearly 1500-year-old mosaic were discovered.

Monastery, 1500-year-old mosaic unearthed in Turkey
A closeup of the fine floor mosaic work from the Roman monastery discovered in Izmir Province, Turkey, after security forces were alerted to the theft in progress

Turkish Gendarmerie teams, acting on a tipoff, launched an operation in the mountainous area of the Aliağa district which has no vehicular access. The suspects were nabbed trying to remove the historical remains from about 2 meters (6.5 feet) below the ground.

Later, experts from the Izmir Archeology Museum investigated the region and the area was put under protection. The mosaic will be taken to a museum after initial studies are performed.

Two experts from the Izmir Archeology Museum investigate the area where the mosaic and monastery unearthed, Izmir, western Turkey

Hünkar Keser, the director of the Izmir Archeology Museum told Anadolu Agency (AA) that the team came to the region following the Turkish Gendarmerie’s notification. “We discovered the floor mosaic. This place was used as a monastery and has a basilica,” said Keser.

Explaining that the team estimates that the monastery was used between the fourth and 14th century, Keser said the mosaic was very valuable archaeologically.

“It is located at a point where it can be reached by tractor from the pathways. This is a universal cultural asset and a rare artefact,” he said.

The Incredible Images Created With Byzantine Mosaics

The Byzantine Empire refers to the continuation, in parts, of the wilting Western Roman Empire, in its eastern advancement roughly from the 5 th century AD to the middle of the 15 th century.

With its capital at Constantinople, the overwhelming influence of Eastern Orthodox Christianity appeared in all art forms during the period, including architecture. During this period, the art produced drew heavily on Hellenistic motifs and iconography, frequently with mystical themes.

Mosaics are carefully constructed colourful and detailed pictures made of finely cut marble, limestone and pebbles, known as tesserae.

The Byzantine Empire was renowned for its mosaics. And many of these incredible works of art celebrated the union of church and state.

The spread of Byzantine mosaic culture was not restricted to Constantinople but spread to distant regions of the empire, including the Balkans, southern Italy, and parts of Russia.

In fact, the rapid increase in mosaic artists who possessed the technical mastery and aesthetic sense of this artform led to huge cross-cultural influences, including Islamic art styles, especially by the Abbasids and the Umayyads.

While the messaging was politico-religious, it was impossible to ignore the distinctions in style and aesthetics and the resultant beauty.

An especially impressive Byzantine mosaic in the Hagia Sophia church that eventually became an important mosque

The world-famous Hagia Sophia, now a museum, began as a church and then became an important mosque for nearly 400 years, is especially celebrated for its exceptional range of gorgeous mosaics, made by the finest craftsmen.

This is also true of the mosaics found in the monasteries at Hosios Loukas, Daphni and Neo Moni of Chios in Greece, which are all marvels of the Byzantine mosaic artform and, incidentally, UNESCO World Heritage Sites.

Due to the eventual collapse and sacking of the Byzantine Empire capital of Constantinople in the 15 th century AD, many mosaics were destroyed forever. And this was a terrible loss for historians and cultural aficionados worldwide.

Izmir itself, the location of the current find, was once the ancient Greek city of Smyrna, which became a part of the Byzantine Empire. It was ransacked several times: twice by the Turks in the 11 th and 14 th centuries, and then by the Ottomans in the 15 th century.

The recently discovered Roman monastery mosaic will be removed from the ground and taken to the museum for further study. It is a find that has great historical implications, and it is only a matter of time before we learn more.

This 2,500-year-old female mummy dubbed the “Altai Princess” is one of few known mummies with visible tattoos

This 2,500-year-old female mummy dubbed the “Altai Princess” is one of few known mummies with visible tattoos

Tattoos aren’t just a trendy way for people to express themselves – they’re also apparently a time-honoured tradition dating back almost three thousand years.

A Siberian mummy, who researchers believe was buried 2500 years ago, will show off her intricate ink when she finally goes on display this month, and her shockingly well-preserved body art makes her look surprisingly modern.

The mummified body of the young woman, believed to be between 25 and 28 years old, was found in 1993, researchers told The Siberian Times.

Local groups have objected to the Siberian Princess’s remains going on display. Initially they were promised her body (pictured) would not be shown in public but that decision appears to have been reversed

Since then she has been kept frozen in a scientific institute, but she will soon be available to the public to be viewed from a glass case at the Republican National Museum in Siberia’s capital of Gorno-Altaisk.

The woman, dubbed in the media as the Ukok “princes,” was found wearing expensive clothing – a long silk shirt and beautifully decorated boots – as well as a horsehair wig.

Dug from her permafrost burial chamber on the high Ukok Plateau in 1993, analysis of the princess’ remains highlighted sophisticated tattoos of ‘great artistry’ of fantastical creatures (shown)

Archaeologists told the paper that because she was not buried with any weapons she was not a warrior and that she was likely a healer or storyteller.

Though her face and neck weren’t preserved, she was inked across both arms and on her fingers, in what researchers say was an indication of status.

“The more tattoos were on the body, the longer it meant the person lived, and the higher was his position,” lead researcher Natalia Polosmak told the Times.

The woman was buried beside two men whose bodies also bore tattoos, as well as six horses. Researchers think the group belonged to the nomadic Pazyryk people, and that their body art is something special even in comparison to other mummies who have been found with tattoos in the past.

Researchers found the woman’s tattoos were designs based on fantastical-looking animals (illustrated)

“Those on the mummies of the Pazyryk people are the most complicated and the most beautiful,” Polosmak told the Times.

“It is a phenomenal level of tattoo art,” she said. “Incredible.”

Not everyone was pleased that the mummy was uncovered.

Controversy erupted after she was discovered, as many believed she should not have been removed from her burial site. Some locals even believed her grave’s disruption caused a “curse of the mummy” which they blamed for the crash of the helicopter carrying her remains.

“The Altai people never disturb the repose of the interned,” Rimma Erkinova, deputy director of the Gorno-Altaisk Republican National Museum told the Times. “We shouldn’t have any more excavations until we’ve worked out a proper moral and ethical approach.”

Local authorities in the region have declared the area a ‘zone of peace,’ so no more excavations can be done in an effort to prevent plundering, though scientists believe there are many more mummies that can be found.

Irish Farmer Stumbles Onto ‘Untouched’ Ancient Tomb

Irish Farmer Stumbles Onto ‘Untouched’ Ancient Tomb

In Ireland, a farmer discovered an ancient tomb that had been practically undiscovered for thousands of years. An excavator flipped a large stone to expose a secret chamber under it on southwest Ireland’s Dingle Peninsula, revealing the burial site.

Inside, local archaeologists found what they believe to be the human bones, along with a smooth oval-shaped stone – all of which could hold clues about pre-historical burial rituals.

They suspect the tomb dates to the Bronze Age, making it between 2,500 and 4,000 years old. But unlike most Bronze Age tombs, it was constructed completely underground—meaning it could be even older. 

Irish Farmer Stumbles Onto ‘Untouched’ Ancient Tomb
A farmer in southwest Ireland moved a large stone on his land and discovered this ancient tomb underneath. The site included a sub-chamber near the front of the tomb, as well as a smooth oblong-shaped stone and what’s believed to be human bones

The tomb was discovered during routine land improvement work, according to RTE, when a large stone was lifted up to reveal a ‘slab-lined chamber’ underneath.

An adjoining sub-chamber was found at what appeared to be the front of the tomb, containing what is presumed to be human bone fragments. A smooth oval-shaped stone was also uncovered, although its purpose is not yet clear.

Archaeologists from the National Monuments Service and the National Museum of Ireland visited the site and believe the tomb likely dates to the Bronze Age, which ran from 2000 to 500BC. But it could be even older given its ‘highly unusual design.

Bronze Age tombs have been found in the region before, but almost all of them stick out the ground. The new discovery ‘is completely concealed, suggesting it may be even older

‘Given its location, orientation and the existence of the large slab, your initial thought is this is a Bronze Age tomb,’ archaeologist Mícheál Ó Coileáin told RTE.

‘But the design of this particular tomb is not like any of the other Bronze Age burial sites we have here,’ he added.

‘It’s possible that it’s earlier but it’s very difficult at this early stage to date it.’

Fellow archaeologist Breandán Ó Cíobháin told the outlet the tomb appears ‘completely untouched,’ and its contents remain in their original state.

‘That is very rare,’ Ó Cíobháin said. ‘It is an extremely significant find as the original structure has been preserved and not interfered with, as may have occurred in the case of other uncovered tombs.’

The tomb was discovered on farmland on southwest Ireland’s Dingle Peninsula, which has been inhabited for 6,000 years. Its exact location is being kept private to preserve the site for future study

The discovery could prove invaluable to the understanding of prehistoric burial rituals, he said. Bronze Age tombs have been found in southwest Ireland before, particularly in Cork and Kerry.

They’re typically ‘wedge tombs,’ which narrow at one end and protrude above the ground.

Bronze Age wedge tombs like the one pictured here are found throughout southwest Ireland. But the newly discovered burial “seems to be different,” archaeologist Mícheál Ó Coileáin tells the Irish Times. “Wedge tombs are usually visible above ground, [but] this one is completely concealed.”

‘[But] this one is completely concealed, Ó Coileáin told The Times.

Wedge tombs mostly face the west and southwest, possibly representing ‘celestial or lunar alignments,’ Ó Cíobháin theorized. Because so much of the newly discovered tomb is underground, ‘it is difficult to fully assess the layout,’ he said.

‘It is very well built, and a lot of effort has gone into putting the large capstone over it,’ Ó Coileáin told the Irish Times. ‘It’s not a stone that was just found in the ground. It seems to have some significance.’

The National Monument Service says the tomb is in ‘vulnerable condition’ and is keeping its exact location private to preserve the site for future study.

Known to have been inhabited for at least 6,000 years, Dingle Peninsula has been the site of several archaeological discoveries, including clochán, dry-stone beehive-shaped huts built by the Celts.

A medieval mural on the wall of a Yorkshire church pays homage to St. George

A medieval mural on the wall of a Yorkshire church pays homage to St. George

Pickering’s St Peter’s and St Paul’s Church has medieval wall paintings, one of which depicts St George killing a dragon, remain among the most complete surviving sets in all of Britain. Now, as today marks the feast of St George, this Roman soldier is honoured once again as a champion of the nation’s sword and a symbol of its lasting might.

Closeup of mural of St. George slaying the dragon at St Peter and St Paul Church, Pickering, England.

Today flags are to be flown across Yorkshire, with trumpeters on standby and bunting strung, incautious and socially distanced celebration of St George’s Day. At the small church in Pickering, where Scouts might normally have paraded under the red and white flag, campaigns call-in donations instead to preserve these cherished jewels.

“This is our country’s patron saint,” said churchwarden Pam Robb, as she reflected on the meaning of the feast day in a year of so much change.

Churchwarden Pamela Robb at St Peter’s and St Paul’s Parish Church in Pickering where medieval frescoes adorn the walls dating from 1450 but were painted over during the reformation in the 16th century.

“It’s the sense of a nation coming together to celebrate that. It reminds us of our heritage, and what people have gone through in the past.

“This is a little window, isn’t it, to a past life and how people lived and grew up,” she added, of the murals themselves.

A medieval mural on the wall of a Yorkshire church pays homage to St. George
The story of other saints is also represented in the mural. Here that of St. Catherine. (Helge Klaus Rieder)

“To think of the generations of people who grew up with these stories, and who would have looked up at these walls, is incredible. It shows perseverance.”

Hidden wall paintings

The Norman church in Pickering, which was rebuilt in the 12th century, stands on the site of an earlier Anglo-Saxon church, of which only part of the font and the stone cross remain.

Medieval Mural on Yorkshire Church Wall Pays Tribute to St. George

The paintings, believed to have been commissioned in around 1450, depict scenes of saints and bible stories, bringing them to life for a congregation that was unable to read.

Under Reformation, many such symbols were hastily destroyed, though the congregation here kept them carefully hidden under a layer of whitewash paint.

With the passing of time, their existence was completely forgotten, until they were rediscovered by the Rev John Ponsonby in 1852, to his utmost dismay.

Decrying the paintings as a ‘ridiculous’ distraction, he had defied the wishes of the then Archbishop of York to have them covered once again, but not before drawings were made.

Some remnants of these drawings remain, with fragments from the original paintings forming the basis for a palimpsest of imagery rare in its antiquity.

A sense of wonder

Today, the church is keen to draw donations following a year where it has seen fewer visitors, with a link here to its website under Rev Gareth Atha. These images, said Mrs Robb, do inspire a sense of wonder.

“People walk in and see these figures, and just stand there in awe,” she said. “There is a little jewel in the crown here, and people don’t realise.

“These paintings were people’s stories until they could begin to be written down.”

City halls and clocktowers in cities such as Bradford and Wakefield are to be lit up in red and white today to mark St George’s Day, while flags are to be flown and bunting hung.

At the outdoor Pontefract Market, professional trumpet player John Barker has been commissioned to play.

“It’s a national day that should be celebrated,” he said. “People appreciate live music, in particular, I think we’ve all come to realise what matters in life.”

Study Suggests Hominin Could Walk and Swing Through Trees

Study Suggests Hominin Could Walk and Swing Through Trees

Gizmodo reports that a new study of a human ancestor’s shoulder blade and collarbone suggests that Australopithecus Prometheus was able to swing through trees some 3.7 million years ago.

Discovered in South Africa in the 1990s, the fossilized remains of an individual known as “Little Foot” were carefully excavated from the concrete-like rock over a period of 15 years.

The specimen called StW 573 or Little Foot, was an Australopithecus Prometheus.

Study Suggests Hominin Could Walk and Swing Through Trees
A cast of Little Foot in 2005. It would take over a decade for the real thing to be fully excavated.

The fossil was finally fully excavated in 2018, over 20 years after its discovery when palaeontologists finished extricating the fossil from the breccia it was encased in. Immediately, Little Foot offered a remarkable glimpse into human origins.

Research describing the shoulder joint’s morphology was published this week in the Journal of Human Evolution. The research team inspected Little Foot’s pectoral girdle: literally, the specimen’s shoulder blade and collar bone.

By comparing the girdle’s formation to that in other human relatives, including some of the great apes, the team sussed out how Little Foot and others in its species got around.

“By understanding how the shoulder joints of early hominins are structured, and more broadly how their shoulder blades are capable of moving on their torsos, we can understand how they used their upper limbs while interacting with the environment,” said Kristian Carlson, a biological anthropologist at the University of Southern California and lead author of the new paper, in an email. “This is a crucial question during this period of our evolutionary history.

In its subtle shape, the pectoral girdle of Little Foot indicated to the researchers that the hominin did exploit trees for its survival, perhaps for acquiring a meal or to avoid becoming one. That lines up with research last year on the specimen’s vertebrae, which suggested Little Foot was capable of head movements (useful for climbing) that go beyond modern human capacities. That said, Little Foot was still bipedal, featuring the upright gait associated with humans.

The new finding brings up an interesting comparison with Ardi (a specimen of Ardipithecus ramidus), a lesser-known ancient relative from 4.4 million years ago.

Paleoanthropologists recently suggested that Ardi’s hands were built for swinging in trees, though some experts disagreed, saying Ardi was more human-like than ape-like.

Though the fossil record is as ossified as can be, the conclusions drawn from the bones we pull from the ground remain fickle. It’ll take some time to see whether the interpretations of Little Foot’s lifestyle, drawn from these shoulder bones, stick.

Little Foot’s bones suggested it hadn’t lost its ability to swing through trees.

Little Foot’s pectoral girdle is the earliest evidence of such a skeletal structure so close to when hominins split off from ape and bonobo ancestors. That upper limb is a crucial piece of the puzzle, though Carlson said it can only tell us so much.

“As special as Little Foot is, it is only one individual,” he explained. “While we are still intensely investigating other anatomical regions of the Little Foot skeleton, we also must continue to appreciate the growing morphological variability that appears to exist within the early hominin fossil record, for example in Australopithecus.”

Based on their comparisons, Carlson’s team determined that Little Foot’s shoulder structure may be a good indicator for what that structure looked like in even older human relatives, in the 7- to 8-million-year-old time frame.

Such a discovery would make Little Foot look like a spring chicken. But until that happens, looks like we’re stuck with one of the most complete Australopithecine fossils ever found, the continued analysis of which reveals new details and theories with each pass. Woe is us!

Dead Sea Scroll Analyzed With Artificial Intelligence

Dead Sea Scroll Analyzed With Artificial Intelligence

According to a statement released by the University of Groningen, Mladen Popović, Lambert Schomaker, and Maruf Dhali used a computer algorithm to analyze the Great Isaiah Scroll, which was discovered in Qumran Cave 1 in 1947.

Dead Sea Scroll Analyzed With Artificial Intelligence
The Great Isaiah Scroll is over 7 metres long and the most complete of the Dead Sea Scrolls.

However, since the scribes are anonymous, scholars have been unable to identify the individuals behind the scrolls. The University of Groningen researchers have cracked the code, allowing them to uncover the scribes behind the scrolls, by combining science and the humanities. On April 21, they published their findings in the journal PLOS ONE.

The scribes who created the scrolls did not sign their work. Scholars suggested some manuscripts should be attributed to a single scribe based on handwriting. ‘They would try to find a “smoking gun” in the handwriting, for example, a very specific trait in a letter which would identify a scribe’, explains Mladen Popović, professor of Hebrew Bible and Ancient Judaism at the Faculty of Theology and Religious Studies at the University of Groningen.

Two 12×12 Kohonen maps (blue colourmaps) of full character aleph and bet from the Dead Sea Scroll collection. Each of the characters in the Kohonen maps is formed from multiple instances of similar characters (shown with a zoomed box with red lines). These maps are useful for chronological style development analysis. In the current study of writer identification, Fraglets (fragmented character shapes) were used instead of full character shapes to achieve more precise (robust) results.

He is also director of the university’s Qumran Institute, dedicated to studying the Dead Sea Scrolls. However, these identifications are somewhat subjective and often hotly debated.

Scribes

That is why Popović, in his project The Hands that Wrote the Bible which was funded by the European Research Council, teamed up with his colleague Lambert Schomaker, professor of Computer Science and Artificial Intelligence at the Faculty of Science and Engineering.

Schomaker has long worked on techniques to allow computers to read handwriting, often from historical materials. He also performed studies to investigate how biomechanical traits, like the way in which someone holds a pen or stylus, would affect handwriting.

In this study, together with PhD candidate Maruf Dhali, they focused on one scroll in particular: the famous Great Isaiah Scroll (1QIsaa) from Qumran Cave 1. The handwriting in this scroll seems near-uniform, yet it has been suggested it was made by two scribes sharing a similar writing style. So how could this be decided? Schomaker: ‘This scroll contains the letter aleph, or “a”, at least five thousand times. It is impossible to compare them all just by eye.’ Computers are well suited to analyse large datasets, like 5,000 handwritten a’s. Digital imaging makes all sorts of computer calculations possible, at the microlevel of characters, such as measuring curvature (called textural) and whole characters (called allographic).

Authors of the new paper Mladen Popovic (far left) and Maruf A Dhali (middle) with other collaborators at the Qumran Caves, where the scroll was found.(Supplied)

Neural network

‘The human eye is amazing and presumably takes these levels into account too. This allows experts to “see” the hands of different authors, but that decision is often not reached by a transparent process,’ Popović says. ‘Furthermore, it is virtually impossible for these experts to process the large amounts of data the scrolls provide.’ That is why their results are often not conclusive.

The first hurdle was to train an algorithm to separate the text (ink) from its background (the leather or the papyrus). For this separation, or ‘binarization’, Dhali developed a state-of-the-art artificial neural network that can be trained using deep learning. This neural network keeps the original ink traces made by the scribe more than 2,000 years ago intact as they appear on digital images. ‘This is important because the ancient ink traces relate directly to a person’s muscle movement and are person-specific, Schomaker explains.

Similarities

Dhali performed the first analytical test of this study. His analysis of textural and allographic features showed that the 54 columns of text in the Great Isaiah Scroll fell into two different groups that were not distributed randomly through the scroll, but were clustered, with a transition around the halfway mark.

With the remark that there might be more than one writer, Dhali then handed the data to Schomaker who then recomputed the similarities between the columns, now using the patterns of letter fragments. This second analytical step confirmed the presence of two different. Several further checks and controls were performed. Schomaker: ‘When we added extra noise to the data, the result didn’t change. We also succeeded in demonstrating that the second scribe shows more variation within his writing than the first, although their writing is very similar.’

Handwriting

In the third step, Popović, Dhali, and Schomaker have produced a visual analysis. They created ‘heat maps’ that incorporate all the variants of a character across the scroll. Then they produced an averaged version of this character for the first 27 columns and the last 27 columns. Comparing these two average letters by eye shows that they are different. This links the computerized and statistical analysis to human interpretation of the data by approximation because the heatmaps are neither dependent nor produced from the primary and secondary analyses.

Certain aspects of the scroll and the positioning of the text had led some scholars to suggest that after column 27 a new scribe had started, but this was not generally accepted. Popović: ‘Now, we can confirm this with a quantitative analysis of the handwriting as well as with robust statistical analyses. Instead of basing judgment on more-or-less impressionistic evidence, with the intelligent assistance of the computer, we can demonstrate that the separation is statistically significant.’

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In addition to transforming the palaeography of the scrolls – and potentially other ancient manuscript corpora – this study of the Great Isaiah Scroll opens up a totally new way to analyse the Qumran texts based on physical characteristics. Now, researchers can access the microlevel of individual scribes and carefully observe how they worked on these manuscripts.

Popović: ‘This is very exciting because this opens a new window on the ancient world that can reveal much more intricate connections between the scribes that produced the scrolls. This study found evidence for a very similar writing style shared by the two Great Isaiah Scroll scribes, which suggests a common training or origin. Our next step is to investigate other scrolls, where we may find different origins or training for the scribes.’

In this way, it will be possible to learn more about the communities that produced the Dead Sea Scrolls. ‘We are now able to identify different scribes’, Popović concludes. ‘We will never know their names. But after seventy years of study, this feels as if we can finally shake hands with them through their handwriting.’

Additional information:

Digital images of the Dead Sea Scrolls and of the Great Isaiah Scroll were kindly provided by Brill Publishers and the Israel Antiquities Authority (the Leon Levy Dead Sea Scrolls Digital Library).

The Dead Sea Scrolls were found in jars like this.

From 6-8 April 2021, an international online conference took place, Digital Palaeography and Hebrew/Aramaic Scribal Culture, organized by the University of Groningen. A link to presentations will appear soon on this page: https://www.rug.nl/ggw/news/events/2021/digital-palaeography-and-hebrew-aramaic-scribal-culture

Reference: Mladen Popović, Maruf A. Dhali, and Lambert Schomaker, Artificial Intelligence Based Writer Identification Generates New Evidence for the Unknown Scribes of the Dead Sea Scrolls Exemplified by the Great Isaiah Scroll (1QIsaa)