British Museum unveils treasures at the centre of recent World of Stonehenge exhibition

The world’s oldest surviving map of the sky and a ‘talismanic’ chalk drum have gone on display as part of a major new exhibition. The 3,600-year-old Nebra Sky Disc and the 5,000-year-old Burton Agnes chalk drum are just two of 430 objects and artefacts that are visible to the public from Thursday at the British Museum in London. They are part of the World of Stonehenge exhibition, which runs until July and tells the story of the famous Neolithic stone circle in Wiltshire.

Stunning photos taken today show the 12-inch sky disc in all its glory. It is inlaid with gold symbols that are believed to represent the moon, sun, solstices and stars, and was unearthed by looters in Germany in 1999.

The chalk drum, which bears intricate circular etchings, was found alongside the ancient burial of three children near the village of Burton Agnes in East Yorkshire. Other artefacts on display include two gold hats and an ancient wooden monument called ‘Seahenge’ which dates back 4,000 years. 

According to the British Museum, nearly two-thirds of the objects going on display in the exhibition will be loans, with artefacts coming from 35 lenders across the UK, the Republic of Ireland, France, Italy, Germany, Denmark and Switzerland. The majority of the items have never been seen in the UK before. The Nebra Sky Disc was found near the town of Nebra in Saxony-Anhalt, in the east of Germany, by looters Mario Renner and Henry Westphal.

The pair were treasure hunting without a license and ended up destroying parts of the archaeological site, as well as damaging the disc with their spade. They sold the disc alongside bronze swords, hatchets, a chisel and bracelet fragments that they found with it to a dealer in Cologne for 31,000 Deutsche Mark (around £10,000).

The pair were arrested in the bar of the Hilton Hotel in Basel, Switzerland, after trying to sell the sky disc to the German state archaeologist for 700,000 DM (£217,391). Experts believe the sky disc was used as a calculator to help its Bronze Age owners predict the best times for sowing and harvesting in the spring and autumn. This interpretation is supported by the presence of a cluster of seven stars, the Pleiades, which appear next to a full or new moon at these times.

The Burton Agnes drum is decorated with symbols that are believed to represent the sun, is only the fourth surviving example of its kind and is the most intricately decorated.

It was found buried above the head of the eldest child and is believed to have been placed in the grave during the first construction phase of Stonehenge – when the monument’s bluestones were being moved from west Wales to Salisbury Plain. It contains symbols similar to those found on pottery at the dwelling site of the builders who created Stonehenge, at Bulford, and could cast light on how communities lived at the time.

The British Museum already has three barrel-shaped cylinders made of solid chalk, dubbed the Folkton drums after their discovery in North Yorkshire in 1889. Dr Neil Wilkin, the curator of The World of Stonehenge at the British Museum, said: ‘This is a truly remarkable discovery, and is the most important piece of prehistoric art to be found in Britain in the last 100 years.

‘This drum is likely to have represented the circle of life, renewal and regeneration.

‘Children are the future, and represent the next generation, so burying them with a chalk drum as a talisman may well have been seen as a way to protect the future of the community.’

Alice Beasley, who first uncovered the drum as project archaeologist at Allen Archaeology, said: ‘Discovering the chalk drum was a thrilling and humbling experience. Seeing the love and effort put into burying the individuals over 5000 years ago was truly moving

‘The children are highly unlikely to have been child sacrifices, as have been seen in the remains of some pagan societies.

Seahenge was nicknamed the Stonehenge of the Sea after it re-emerged on a Norfolk beach in 1998. It consists of a large upturned tree stump surrounded by 54 wooden posts. The oak posts, some up to nine ft tall, form a 21ft-diameter circle around the upturned oak, creating a giant tree-like spectacle.

A narrow entranceway was built aligning to the rising midsummer sun and it is speculated the monument was used for ritual purposes. Dr Jennifer Wexler, project curator of the World Of Stonehenge at the British Museum, said: ‘If Stonehenge is one of the world’s most remarkable surviving ancient stone circles, then Seahenge is the equivalent in timber.

‘But as it was only rediscovered in 1998, it is still relatively unknown.

‘We know about some aspects of the monument, including that it was constructed in the spring and summer of 2049 BC, from mighty oaks.

‘But there’s much that still eludes us, including exactly what it was used for.

‘Perhaps the central upturned trunk was used in funerary rituals to support a dead body. Perhaps entering the circular shrine brought worshippers closer to the otherworld.

‘By displaying Seahenge in this exhibition we hope to bring it to a wider audience, and it provides an unparalleled opportunity to time-travel back to the moment when circles of stone and timber were at the heart of people’s beliefs.’

The headgear going on display includes the Schifferstadt gold hat from Germany and the Avanton gold cone from France.

It is the first time that either has been seen in Britain. They are decorated with elaborate solar motifs that reflect the religious importance of the sun during this era. The Schifferstadt hat, which was found in the German town of the same name in 1835, dates back to between 1400 and 1300 BC, whilst the Avanton cone – discovered near Avanton, Poitiers in 1844 – dates to between 1000 and 900 BC. Only two other examples of these hats are known to have survived. They served as headgear during ceremonies or rituals, and experts theorised that the original wearers may have believed that they gave them divine or otherworldly status.

Hartwig Fischer, Director of the British Museum, said: ‘To understand the purpose of the great stone monument constructed on Salisbury Plain, it is essential to consider its contemporary world and the culture of its builders. 

‘We are delighted to be able to do this in this unprecedented exhibition. 

‘Over 430 exceptional objects are being brought together, objects which are the last and only testament of sophisticated and ingenious people, and we are grateful to all of the lenders who have made it possible.’ 

Chalk drum from 5,000 years ago is ‘most important art find’ in a century

A 5,000-year-old chalk sculpture discovered in east Yorkshire, due to be displayed at the British Museum, has been described as the most important piece of prehistoric art to be found in Britain in the last century.

The object, which archaeologists have named the “Burton Agnes drum”, is a chalk sculpture that had been decorated with motifs similar to the artistic style at the same time as Stonehenge was built. The drum was discovered alongside the burial of three children.

The drum is hailed to be such an important discovery due to its similarity to a group of objects already in the British Museum’s collection.

The Folkton drums, three barrel-shaped cylinders made of chalk, were found in North Yorkshire buried alongside the remains of a child, and have been part of the British Museum’s collection since 1889. They are, according to the British Museum, some of the “most famous and enigmatic ancient objects ever unearthed in Britain”.

Relatively little is known about the Folkton drums and their context but this new drum, which was found about 15 miles away, sheds new light on them.

The exact age of the Folkton drums was never known, with a consensus guess that they were made around 2500 – 2000BC.

However, due to new technology and the finding of the new drum, the Folkton drums can be identified as being nearly 500 years older than previously thought.

This new discovery, only the fourth example of its kind known to have survived, is nearly identical to the Folkton drums and can also be described as a chalk drum.

Despite the use of the term ‘drum’, they are not thought to have had a musical function. Instead, they are works of sculptural art and have been interpreted to be intended as talismans to protect the deceased children they accompanied.

The Burton Agnes drum is due to be displayed to the public for the first time on Thursday, alongside all three Folkton drums, as part of the World of Stonehenge exhibition at the British Museum.

Neil Wilkin, the curator of The World of Stonehenge at the British Museum, said the discovery was “truly remarkable”.

“The Folkton drums have long remained a mystery to experts for well over a century, but this new example finally begins to give us some answers. To my mind, the Burton Agnes drum is even more intricately carved and reflects connections between communities in Yorkshire, Stonehenge, Orkney and Ireland,” he said.

“The discovery of the Burton Agnes grave is highly moving. The emotions the new drum expresses are powerful and timeless, they transcend the time of Stonehenge and reflect a moment of tragedy and despair that remains undimmed after 5,000 years,” he added.

“We are honoured that the British Museum will be the first place the public will be able to see this important object and that they will see it alongside 430 other ancient items telling the spectacular story of Stonehenge and the vibrant world in which it was built.”

Mark Allen, the director of Allen Archaeology, said that it has been a “real privilege” to have been involved in its discovery, and took the opportunity to thank the “landowners for their enthusiasm and interest in the project from the outset.”

“When we heard about the find from the team on-site and saw the photos of the drum that were messaged over to us, it was clear we were looking at something extraordinary,” he said. “Although the photos did not do it justice, and we were all stunned to see it up close when it came off-site.”

Alice Beasley, who first uncovered the drum as an archaeologist for Allen Archeology, said discovering it was a “thrilling and humbling” experience. “Seeing the love and effort put into burying the individuals over 5,000 years ago was truly moving,” she said.

The World of Stonehenge exhibition at the British Museum, on display until mid-July, is the UK’s first major exhibition on Stonehenge. Nearly two-thirds of the objects on display will be loaned from 35 lenders across several different countries, including Germany, Denmark and Italy.

Archaeologists Find 40 Beheaded Roman Skeletons With Skulls Between Their Legs

Archaeologists in England have unearthed 40 beheaded skeletons at an ancient Roman burial site while digging along the high-speed rail line near Fleet Marston, just 55 miles northwest of London.

Researchers found the remains while excavating part of a newly discovered 2,000-year-old town, which also included coins, lead weights, brooches, bells and enclosures that once formed part of a road, according to Katy Prickett of BBC News.

The team uncovered the artefacts while work was progressing on the construction of HS2, a major modern railway system that will connect much of the country when completed in 2040, per the Guardian.

“The excavation is significant in both enabling a clear characterization of this Roman town but also a study of many of its inhabitants,” Robert Brown of COPA JV, a consortium of archaeological contractors working with HS2, says in a statement.

For more than a year, Cotswold Archaeology, Oxford Archaeology and Pre-Construct Archaeology (COPA) have worked to excavate the town and burial site. The cemetery, from which 425 skeletons were exhumed, is the largest of its kind in Buckinghamshire, per the Guardian.

About 10 per cent of the skeletons found were decapitated, with the skulls placed between their legs or near their feet, possibly due to their status as criminals or outcasts, say the researchers in the statement. However, they add that such burials were also a “normal, albeit marginal, burial rite” conducted in the late Roman period, dating to between 250-450 C.E.

“Decapitation was one of the four main methods of execution sanctioned by Roman law” and is believed to have been a popular choice among lawmakers across Roman Britain,” Rob Wiseman, an archaeologist at the University of Cambridge who was not involved in the discovery, told Live Science in an email. “Although what the purpose [of that ritual] remained uncertain.”

Often in these cases, scientists are unable to determine if the decapitated bodies had their heads removed before or after death, Wiseman adds, but sometimes skeletons found at similar burials show evidence of being struck from behind by a sharp blade while the person was kneeling.

Aside from the severed heads, the graves don’t appear different from other Roman gravesites. Even under Roman law, the bodies of executed criminals were typically handed over to kin, who traditionally opted for normal burials, Wiseman tells Live Science. One explanation for the placement of the severed heads at Fleet Marston burial is that the relatives of the individuals may have believed that the soul would only transition into the afterlife if the head was placed next to the rest of the body, Wiseman says. Or it could be they feared the corpse would put itself back together and return from death.

The archaeologists state that the number of burials and the development of the settlement suggests the town experienced a “population influx” around the mid-to-late Roman period, due to what may have been an increase in agricultural production. The burial site was divided into two different areas, indicating that the cemetery may have been organized by tribe, family or ethnic grouping, per the statement.

The researchers plan to study the exhumed skeletons over the next few years in hopes of learning more about the lifestyles of ancient Romans, reports Alia Shoaib for Business Insider.

“All human remains uncovered will be treated with dignity, care and respect and our discoveries will be shared with the community,” says Helen Wass, head of heritage at HS2, in the statement. “HS2’s archaeology program seeks to engage with all communities both locally and nationally to share the information and knowledge gained as well as leaving a lasting archival and skills legacy.”

Experts also found 1,200 coins along with several lead weights indicating the town served as a centre for trade, reports BBC News. Additionally, the site contained domestic artefacts, such as pottery, spoons, pins and brooches, as well as gaming dice and bells, suggesting gambling and religious activity occurred at the settlement.

In addition to the artefacts, a team of 50 COPA archaeologists discovered a series of enclosures along Akeman Street, an ancient Roman road linking the town of Verulamium—now St. Albans—with the settlement of Corinium Dobunnorum—now Cirencester—per the HS2 statement. These structures were likely a mix of domestic dwellings and sites of commercial and industrial activity.

Parts of the road were widened, say the scientists, suggesting the area may have been used as a marketplace. The extra room would have provided space for carts and stalls, according to the statement.

Archaeologists say the town was likely an important staging post for travellers and soldiers passing on their way to and from the Roman garrison at what is now Alchester, per BBC News.

The scientists also found evidence of Iron Age enclosures, suggesting the area was used for farming before the town was established. Early in the Roman period, the region was the site of gravel quarrying, possibly used for the construction of Akeman Street, per the statement. The team also discovered a stone-built corn dryer or malting oven, which may have been used for brewing, per the statement.

Fleet Marston is one of more than 100 archaeological sites investigated by HS2 since work began in 2018 on the first phase of track between London and Birmingham, reports the Guardian.

“The HS2 archaeology program has enabled us to learn more about our rich history in Britain,” Wass tells the Guardian. “The large Roman cemetery at Fleet Marston will enable us to gain a detailed insight into the residents of Fleet Marston and the wider Roman Britain landscape.