Discovery of 4,500-year-old palace in Iraq may hold key to ancient civilisation

Discovery of 4,500-year-old palace in Iraq may hold key to ancient civilisation

Archaeologists and workers excavate the ancient Sumerian city of Girsu, located in modern-day Tello, Iraq.

It has been described by the director of the British Museum as “one of the most fascinating sites” he has has ever visited, but the archaeologist who led the discovery of a lost Sumerian temple in the ancient city of Girsu has said he was accused of “making it up” and wasting funding.

Dr Sebastien Rey led the project that discovered the 4,500-year-old palace in modern-day Iraq – thought to hold the key to more information about one of the first known civilisations.

The Lord Palace of the Kings of the ancient Sumerian city Girsu – now located in Tello, southern Iraq – was discovered during fieldwork last year by British and Iraqi archaeologists. Alongside the ancient city, more than 200 cuneiform tablets were discovered, containing administrative records of the ancient city.

Archaeologists and workers excavate the ancient Sumerian city of Girsu, located in modern-day Tello, Iraq.

More than 200 cuneiform tablets were discovered at the site, containing administrative records of the ancient city.

Rey said that when he first brought up the project at international conferences no one believed him. “Everyone basically told me, ‘Oh no you’re making it up you’re wasting your time you’re wasting British Museum UK government funding’ – that’s what they were telling me,” he said.

Girsu, one of the earliest known cities in the history of humankind, was built by the ancient Sumerians, who between 3,500 and 2,000 BC invented writing, built the first cities and created the first codes of law. The ancient city was first discovered 140 years ago, but the site has been the target of looting and illegal excavations.

The discovery is the result of the Girsu Project, an archeological collaboration, established in 2015, led by the British Museum and funded by the LA-based Getty Museum.

Alongside the discovery of the palace and the tablets, the main temple dedicated to the Sumerian god, Ninĝirsu, was also identified. Before this pioneering fieldwork, its existence was known only from ancient inscriptions discovered alongside the first successful excavation of the ancient city.

The project follows the Iraqi scheme first funded by the British government in response to the destruction of important heritage sites in Iraq and Syria by Islamic State. Since its establishment, more than 70 Iraqis have been trained to conduct eight seasons of fieldwork at Girsu.

The first mud brick walls of the palace, which were discovered last year, have since been held in the Iraq Museum in Baghdad. The Sumerians inhabited the ancient eastern Mediterranean region of Mesopotamia, and were responsible for many technological advancements, including measurements of time as well as writing.

Discovery of 4,500-year-old palace in Iraq may hold key to ancient civilisation
An aerial view of the excavation site in Tello, Iraq. The Sumerians inhabited the ancient eastern Mediterranean region of Mesopotamia.

The excavation site in Tello, Iraq

According to Hartwig Fischer, the director of the British Museum, the site of the ancient city in southern Iraq was “one of the most fascinating sites I’ve ever visited”.

He said: “The collaboration between the British Museum, state board of antiquities and heritage of Iraq, and the Getty represents a vital new way of building cooperative cultural heritage projects internationally. We are delighted that today’s visit could celebrate the recent discoveries that are the result of this collaboration, and continue the British Museum’s long-term commitment to the protection of the cultural heritage of Iraq, the support of innovative research, and the training of the next generation of Iraqi archaeologists at Girsu.

“While our knowledge of the Sumerian world remains limited today, the work at Girsu and the discovery of the lost palace and temple hold enormous potential for our understanding of this important civilisation, shedding light on the past and informing the future.”

The ancient Sumerians may not be as well known a civilisation as the ancient Egyptians or Greeks, but according to Dr Timothy Potts, the directory of the Getty Museum, Girsu is “probably one of the most important heritage sites in the world that very few people know about”.

The discovery is the result of the Girsu Project, an archeological collaboration established in 2015 and led by the British Museum and funded by the Getty Museum.

He added: “Through its collections, exhibitions, research and publications the Getty seeks to promote the understanding and preservation of the world’s artistic and cultural heritage.

“The ancient world has been a particular focus of the museum’s programmes at the Getty Villa, and we are therefore delighted to have partnered with the British Museum on the Girsu Project in Iraq.

“This innovative programme provides critical support for the uniquely important archaeological site of Girsu, through the training of Iraqi specialists entrusted with its development for sustainable archaeology and tourism.”

Iraq’s culture minister, Ahmed Fakak Al-Badrani, said: “The British archaeological excavations in Iraq will further unveil significant ancient eras of Mesopotamia, as it is a true testimony to the strong ties between the two countries to enhance the joint cooperation between the two countries.”

The Sumerians explainer
Who were they?

The Sumerians were the inhabitants of Sumer, which is the earliest known civilisation in the historical region of Mesopotamia, located in modern-day southern Iraq. According to archaeological evidence, they built about a dozen city-states in the fourth millennium BC.

Girsu, which is located in Tello, Iraq, was first discovered 140 years ago, and was significant in that it first revealed to the world the existence of the Sumerian civilisation, as well as bringing to light some of the most vital monuments of Mesopotamian art and architecture.

What did they invent?

The Sumerians were ancient pioneers, having advanced the craft of writing, writing literature, hymns and prayers. They built the first known cities as well as creating the first known code of law. They also perfected several existing forms of technology, including the wheel, the plough and mathematics.

The epic of Gilgamesh, considered the world’s oldest surviving piece of literature, derives from five Sumerian poems.

They were also notably one of the first civilisations to brew beer, which was seen by the ancient people as a key to a healthy heart and liver.

A 2,000-Year-Old Antler In Vietnam May Be Oldest Music Instrument Of Its Kind

A 2,000-Year-Old Antler In Vietnam May Be Oldest Music Instrument Of Its Kind

Reconstruction of the artifact (A) compared with examples of Vietnamese musical instruments: (B) the Bro JoRai; (C) Co Ke; and (D) K’ny.

An unusual deer antler found in Vietnam may be one of the oldest string instruments ever unearthed in Southeast Asia.

Discovered at a site along the Mekong River, the 2,000-year-old instrument is like a single-stringed harp and may have been a great-grandparent to the complex musical instruments people still pluck today in Vietnam. 

The artifact consists of a 35-centimeter-long piece of deer antler with a hole at one end for a peg, which was likely used to tune the string like the keys at the top of a guitar. While the string eroded away long ago, the object also features a bridge that was perhaps used to support the string.

Archaeologists from the Australian National University and Long An Museum in Vietnam recently described the fascinating objects in a new paper, reaching the conclusion that it was almost certainly a stringed instrument that was plucked to create music. 

“No other explanation for its use makes sense,” Fredeliza Campos, lead researcher and PhD student from ANU, said in a statement seen by IFLScience. 

The antler most likely came from a Sambar deer or an Indian hog deer, two species that are native to mainland Southeast Asia.

The team dated the object to 2,000 years old from Vietnam’s pre-Óc Eo culture along the Mekong River, which is exceptionally early for this kind of instrument.

“This stringed instrument, or chordophone, is one of the earliest examples of this type of instrument in Southeast Asia. It fills the gap between the region’s earliest known musical instruments – lithophones or stone percussion plates – and more modern instruments,” she added.

How the artifact could have been played.

There’s evidence to suggest that many ancient cultures had a rich and lovely music culture, but it often escapes the archaeological record. Songs don’t stick around in rocky sediments, after all. 

For instance, ancient Greece is one of the most studied portions of ancient history and we know enjoying music played a key part in their culture, as shown by the number of artworks showing instruments being tooted and plucked. However, the quest to discover what the music sounded like has been described as a “maddening enigma.”

To better understand the music cultures of ancient Vietnam, the researchers sifted through a catalog of over 600 bone artifacts found in the area. Their analysis indicates that this fashioned antler fits the bill and shows the emergence of contemporary Vietnamese musical instruments, such as the K’ný.

“The K’ný is a single-string bowed instrument that is uniquely controlled by the player’s mouth, which also acts as a resonator. It can play a wide variety of sounds and tones, much more than a chromatic scale you often hear on a piano,” added Campos. 

The new study was published in the journal Antiquity this week.

This Wooden Phallus Might Be a Rare 2,000-Year-Old Dildo

This Wooden Phallus Might Be a Rare 2,000-Year-Old Dildo

The lifesize wooden phallus.

Archaeologists have uncovered what could be a rare example of an ancient sex toy carved from wood, found in a Roman fort known for a plethora of phallic motifs. The ruins of Vindolanda fort sit near Hadrian’s Wall in England on the borderlands of what was once the great Roman Empire.

On this politically tense frontier, where Roman soldiers faced off with ‘barbarians’ to the north, symbols representing penises were a ubiquitous sign of protection. Imagery of male genitalia can be found on just about anything, it seems; stone walls, the lids of boxes, even horse riding gear.

Yet the wooden phallus mentioned above is unlike any other penis unearthed at the site. Or at any other Roman dig for that matter. The object was initially discovered in 1992 and rather innocently assumed to be a darning tool. But researchers are now pretty sure that it is actually a disembodied penis.

Apart from a carved line at the tip that looks suspiciously like the appendage’s glans, the wooden object is quite smooth, which suggests it made routine, rubbing contact with another surface.

The wooden penis found at Vindolanda, with A and B arrows pointing to tool marks. (R Sands)

Archaeologists have put forward three possible explanations for what that surface might have been. The 160-millimeter (6.3 inch) long implement could have been used as a grinding pestle, specially designed to ‘infuse’ food, cosmetics, or medicine with spiritual properties.

While the tool does look like it could crush soft materials, an absence of staining or discoloration on the object’s blunt end means there’s no easy way to confirm this particular hypothesis.

It’s also possible the wooden object was in fact a penis, one adorning a statue, or put on display outside of a building; a common feature in ancient Greece and Rome. People walking by might then have rubbed the penis for good luck. With no signs of outdoor weathering or of being removed or reinserted into an abrasive notch, this is also an unlikely purpose.

The third and final explanation put forward by researchers is the most interesting to consider: the ancient penis could be a uniquely preserved dildo from the second century CE.

“We know that the ancient Romans and Greeks used sexual implements – this object from Vindolanda could be an example of one,” says archaeologist Rob Collins from Newcastle University in England.

The wooden phallus from Vindolanda. (R Sands)

Today, we might be tempted to call it a sex toy, but archaeologists working on the artifact think that that term may not have applied in Roman times.

“Use may not have been exclusively sexual or for the pleasure of the user,” they explain.

“Such implements may have been used in acts that perpetuated power imbalances, such as between an enslaved person and his or her owner, as attested in the recurrence of sexual violence in Roman literature.”

The ancient dildo may not have even been used for penetration. In fact, the signs of wear on the object’s exterior might support clitoral stimulation better.

Researchers say the artifact shows “perceptibly greater wear at either end compared to its middle”.

This seems to align with signs of wear on a 2,000-year-old bronze dildo found in China, although experts say it’s hard to compare the patterns between such old artifacts.

Although the wooden phallus from ancient Rome is “simple in form”, researchers suspect it was created by the hand of a confident artist, a practiced practitioner of penises, if you will.

In a Roman fort like Vindolanda, that would have been quite the skill.

“The Vindolanda phallus is an extremely rare survival,” says archaeologist Rob Sands from University College Dublin.

“It survived for nearly 2000 years to be recovered by the Vindolanda Trust… “

Interpreting the wooden phallus as a pestle or a good luck charm might be less problematic and uncomfortable explanations, but archaeologists argue we need to “accept the presence of dildos and the manifestation of sexual practices in the material culture of the past.”

The oldest suspected dildo ever found in archaeology dates back 28,000 years.

In all likelihood, these sexual instruments are a part of human history, whether we acknowledge them or not.

Lost sketches by Leonardo Da Vinci show that he understood gravity long before Newton

Lost sketches by Leonardo Da Vinci show that he understood gravity long before Newton

Leonardo da Vinci’s centuries-old sketches show that he may have understood key aspects of gravity long before Galileo, Newton, and Einstein.

Engineers from Caltech have discovered that Leonardo da Vinci’s understanding of gravity—though not wholly accurate—was centuries ahead of his time.

Recent research from the California Institute of Technology looked at long-forgotten diagrams in Leonardo da Vinci’s notebooks. According to a statement from the university these notebooks, which have now been digitized, show experiments from the early 1500s of particles falling from a pitcher, demonstrating gravity is a form of acceleration.

Da Vinci, who lived from 1452 to 1519, was well ahead of the curve in exploring these concepts. It wasn’t until 1604 that Galileo Galilei would theorize that the distance covered by a falling object was proportional to the square of time elapsed and not until the late 17th century that Sir Isaac Newton would expand on that to develop a law of universal gravitation, describing how objects are attracted to one another. Da Vinci’s primary hurdle was being limited by the tools at his disposal. For example, he lacked a means of precisely measuring time as objects fell.

One of da Vinci’s sketches details an experiment involving pouring water from a pitcher to help understand the effects of gravity.

Da Vinci’s experiments were first spotted by Mory Gharib, the Hans W. Liepmann Professor of Aeronautics and Medical Engineering, in the Codex Arundel, a collection of papers written by da Vinci that cover science, art, and personal topics.

In early 2017, Gharib was exploring da Vinci’s techniques of flow visualization to discuss with students he was teaching in a graduate course when he noticed a series of sketches showing triangles generated by sand-like particles pouring out from a jar in the newly released Codex Arundel, which can be viewed online courtesy of the British Library.

“What caught my eye was when he wrote ‘Equatione di Moti‘ on the hypotenuse of one of his sketched triangles—the one that was an isosceles right triangle,” says Gharib, lead author of the Leonardo paper. “I became interested to see what Leonardo meant by that phrase.”

The researchers had to translate da Vinci’s notes into Italian, which were written in his renowned left-handed mirror writing that reads from right to left, in order to analyze the sketches. The researchers then carried out da Vinci’s experiments using computer simulations.

According to Da Vinci’s notes, the velocity of the falling material accelerates downwards, and as the particles fall, they are no longer influenced by the pitcher but are instead accelerated by gravity pulling them downward. However, at the time, he was unable to translate his observations into an equation.

A photograph of one of Leonardo da Vinci’s sketches of experiments to understand gravity.

“What we saw is that Leonardo wrestled with this, but he modeled it as the falling object’s distance was proportional to 2 to the t power [with t representing time] instead proportional to t squared,” Chris Roh, co-author of the study and assistant professor at Cornell University, said in the statement. “It’s wrong, but we later found out that he used this sort of wrong equation in the correct way.”

When modeling the water vase experiments, the team yielded the same error da Vinci did centuries ago.

“We don’t know if da Vinci did further experiments or probed this question more deeply,” Gharib said in the statement. “But the fact that he was grappling with this problem in this way — in the early 1500s — demonstrates just how far ahead his thinking was.”

Their findings were published in the journal Leonardo. The paper is titled “Leonardo da Vinci’s Visualization of Gravity as a Form of Acceleration.”

300-Year-Old Mummified Mermaid From Japan Mystery Solved; Creature Is Artificial

300-Year-Old Mummified Mermaid From Japan Mystery Solved; Creature Is Artificial

300-Year-Old Mummified Mermaid From Japan Mystery Solved; Creature Is Artificial

A mummified mermaid has been worshiped in Japan for centuries because locals believe it has healing powers. However, upon closer inspection, it was discovered that the item was not as mysterious as it appeared because it was only artificial.

In Japan, there is a legend that the 300-year-old mummified mermaid will grant immortality to anyone who eats its flesh.

The mysterious object has been on display for four decades at the Enjuin Temple in Asakuchi.

The 12-inch creature was allegedly caught in the Pacific Ocean, off the Japanese island of Shikoku, between 1736 and 1741.

The creature has two hands reaching up towards its grimacing face. Hair is still visible on its head and it has the remains of sharp, pointy teeth in its mouth. But its body gives way to a distinctly fish-like tail.

The fish-like lower half of the ‘mermaid’s’ body gives way to a strange-looking tail.

Scientists have been perplexed by the finding for years.

Chief priest Kozen Kuida told the Japanese newspaper The Asahi Shimbun they even worshipped it in the hope it would help to “alleviate the coronavirus pandemic”.

Last year, researchers from the Kurashiki University of Science and the Arts took the mummy for tests and CT scans in a bid to unravel its secrets.

They subjected the ‘mermaid’ to tests to determine if its an organic creature or not. Sadly, they have now discovered that the creature is completely artificial – made in the late 1800s. It has no skeleton as its body is made of paper, cloth, and cotton.

Radiocarbon dating also showed that the mummy dates back to the late 1800s, which fit the team’s initial estimations for when it was made.

The lower portion of the body was indeed from a fish’s tail, according to the scientists, but they thought that it had only been added later. Its head was from a mammal, and its jaw and teeth were also taken from fish.

Hiroshi Kinoshita, a board member of the Okayama Folklore Society, became aware of its existence after seeing a photo of the bizarre creature in a mythical encyclopedia.

It still remains a mystery how the mermaid mummy ended up inside the Okaya temple.

Cemetery Found in Mexico City Reflects Changing Burial Customs

Cemetery Found in Mexico City Reflects Changing Burial Customs

INAH experts recovered the skeletal remains of 21 individuals during the construction of the so-called “Pavellón Escénico“, in Chapultepec Park, Mexico City.

A cemetery from the early viceregal period (1521-1620 AD) was found in the area where the Chapultepec Forest Garden and “Pabellón Escénico” (Scenic Pavilion) are being built, reports the Ministry of Culture.

Experts from the National Institute of Anthropology and History (INAH), through the Directorate of Archaeological Rescue (DSA), made the discovery in the area known as ecological parking.

In the text, the coordinator of the DSA, María de Lourdes López Camacho, explains that during the monitoring of the works as part of the Chapultepec Project, the INAH dug a two-by-two-meter test pit, and “human skeletal remains were detected from 1.37 meters deep.

Apparently, the remains would be from two different populations.

With the field assistance of archaeologists Blanca Copto Gutiérrez and Alixbeth Daniela Aburto Pérez, “it was decided to double the excavation.

In the last three weeks, the team recovered the bones – in various states of conservation – of 21 individuals, mostly female and male adults, including a couple of infants”, adds the archaeologist.

It details that the burials were carried out directly in the ground and at three different moments during the first century after the fall of Mexico-Tenochtitlan. 

“Despite the fact that most of the burials presented the same west-east orientation, which alludes to the belief in the resurrection in the Christian faith, their arrangement suggests two types of population: one of indigenous origin, probably Mexica, and another European”.

According to the studies, it is a collective burial.

The archaeologist explains that for the most part, “individuals were placed outstretched with their arms crossed over their chests or in the pelvic region, as indicated by the Catholic funeral rite; However, two were buried in a flexed and lateral way, in the Mesoamerican style, not to mention that another couple of individuals were buried carrying a seal and a green obsidian blade, both pre-Hispanic”.

According to their studies, it is a collective burial that corresponds to an early viceroyalty cemetery, “because it shows the transition from pre-Hispanic funeral customs to those implemented with the arrival of the Spaniards and their religious system.”

The report adds that “according to the coordinator of the DSA Bioarchaeology Section, Jorge Arturo Talavera González, who made a first osteological report -which will be complemented with other analyses, including DNA-, the epigenetic traits of certain individuals indicate the presence of two different populations in that context, the Amerindian individuals being identifiable by their spade-shaped teeth .”

Regarding health conditions, the document concludes, “preliminary observations indicate that the people buried suffered, among other conditions, hypoplasia, attrition and dental calculus (wear of enamel and dental structure, as well as tartar), inflammation of the periosteum ( fibrous sheath that covers the bones) and other infectious processes, as well as diseases related to the nutritional deficit”.

The individuals were placed in an extended position with their arms crossed over their chests.

Reconstruction of 9,600-Year-Old Skull Completed in Brazil

Reconstruction of 9,600-Year-Old Skull Completed in Brazil

In 1997, archaeologists unearthed a skeleton buried in the fetal position at Toca dos Coqueiros, an archaeological site in Brazil’s Serra da Capivara National Park.

Reconstruction of 9,600-Year-Old Skull Completed in Brazil
Researchers created two facial approximations of Zuzu using photogrammetry of the skull.

Based on the size and shape of the skull, they identified the remains as female and named the skeleton Zuzu. But that classification has remained steeped in controversy, with many researchers claiming the deceased was actually male. 

Now, a new facial approximation of the 9,600-year-old skull may help put this debate to rest. 

Last year, researchers took dozens of photos from different angles of the skull, which is on display at the Museum of Nature in Piauí, Brazil. Using photogrammetry, they digitally stitched the 57 photographs together to create a virtual 3D model of the skull “in order to reveal the face of that figure so mysterious and so important to Brazilian history,” the researchers wrote in their study, published Jan. 25.

“Trying to recover the appearance that an individual had in life thousands of years ago is a way to bring them to the present day, bringing them closer to the public,” first author Moacir Elias Santos, an archaeologist with the Ciro Flamarion Cardoso Archaeology Museum in Brazil, told Live Science in an email. “The main interest was to be able to glimpse the face of Zuzu, whose skeleton is one of the most important finds in the Serra da Capivara National Park region.”

To inform their work, they used computerized tomography (CT scans) from living virtual donors and applied that information to “adjust the structure of the skull” by including tissue thickness markers, study co-author Cícero Moraes, a Brazilian graphics expert, told Live Science in an email.

“[We] adjust the structure of the skull to transform the donor’s skull into a volume almost equal to Zuzu’s skull,” Moraes said. “When we do this, the soft tissue follows this deformation/adaptation and results in a face that is expected, [and] compatible with Zuzu in life.”

The researchers created two results, both depicting a young man with a broad nose and lips. One of the approximations included hair and eyebrows based on information provided by the virtual donors, and the other featured Zuzu with closed eyes and without hair.

Because the digital face was “slightly emaciated,” the researchers retracted the lower jaw to match a gap that came from some missing teeth, according to the study.

“Although the skull has affinity with an Asian population, among individuals of such ancestry there are a large number of structural differences, which are circumvented by closing the eyelids,” the researchers wrote in the study.

“The image was also rendered in grayscale (black and white) as there is no accurate information about the skin color. Therefore, such an image would be the closest to what the real face could be.” 

“The most interesting thing when looking at Zuzu’s skull is having an idea of what he would have looked like in life,” Santos said. “It is a reunion with one of the oldest ancestors of our country.”

2,400-Year-Old Toilet Found in China

2,400-Year-Old Toilet Found in China

2,400-Year-Old Toilet Found in China
Broken parts of the toilet, including a bent pipe, were unearthed from the Yueyang archaeological site in Xi’an, Shaanxi province, last summer and pieced together for months before researchers released details on Wednesday.

A manual flush toilet, dating back 2,400 years, has piqued the interest of archaeologists who are trying to find out what people ate during that time by analyzing soil samples collected from it.

Broken parts of the toilet, including a bent pipe, were unearthed from the Yueyang archaeological site in Xi’an, Shaanxi province, last summer and pieced together for months before researchers released details on Wednesday.

Discovered amid the ruins of a palace in the ancient Yueyang city, the toilet is believed to have been used by Qin Xiaogong (381-338 BC) or his father Qin Xian’gong (424-362 BC) of the Qin Kingdom during the Warring States Period (475-221 BC), or by Liu Bang, the first emperor of the Han Dynasty (206 BC-AD 220). The palace was possibly used for administrative affairs.

A “luxury object” such as a flush toilet would only be used by very high-ranking members of the society during that time, according to Liu Rui, a researcher at the Institute of Archaeology at the Chinese Academy of Social Sciences, who was part of the excavation team at Yueyang.

“It is the first and only flush toilet to be ever unearthed in China. Everybody at the site was surprised, and then we all burst into laughter,” he said.

The toilet bowl was placed indoors, with the pipe leading to an outdoor pit, he said, adding that servants probably poured water into the toilet every time it was used.

Liu said the upper half of the flush toilet was not found during the excavation and hence, experts cannot confirm whether its users sat on it or squatted over it.

However, based on previous records about toilets, such as stone carvings on the tombs of royal members during the Western Han Dynasty (206 BC-AD 24), they likely squatted over it.

“The flush toilet is concrete proof of the importance the ancient Chinese attached to sanitation,” Liu said, adding that there were few records of indoor toilets in ancient times.

Before this toilet was unearthed, the first manual flush toilet was believed to have been invented by John Harington for Queen Elizabeth I in the 16th century.

Yueyang was the capital of the Qin Kingdom for about 35 years and also the first capital city of the Han Dynasty, during which palaces were demolished to make way for farmlands.

Since 2012, archaeologists have been conducting large-scale excavations in Yueyang, which is today part of Xi’an’s Yanliang district.

The toilet was found at the No 3 site.

“Besides all written records, we can learn more about social reforms and systems of the kingdom by digging deeper into ancient palaces,” Liu said.

The partially restored toilet is now a key to further archaeological research on Yueyang.

Experts are analyzing the soil inside, hoping to find traces of human feces and learn about the eating habits of ancient people. So far, the soil samples have only yielded traces of fertilizers used by farmers during Han Dynasty.

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